Acting
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A parallel world where everyday objects have lives of their own, embodying dramas, joys, adventures, and romances—life itself transformed into objects.
In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”
The Chop Chop Show was a puppet show performed during the mandatory quarantine in Argentina. The film goes behind the scenes of the show, using the documentary format to poke fun at the genre.
