Thomas Moore

Plastic dolls dance in the sky to a pop song. In a posthuman world, the perfect body is made of orange-yellow plastic in a factory in China. This figure without gender exists in a virtual space where illness, death and aesthetics are only absurd concepts. In 3-D animations, the film ponders on capitalism, virtuality and the human body.

When Philip invites his assistant's boyfriend, Harry, over for dinner under false pretences, an in-depth conversation on the nature of love leads to Philip revealing his true intentions and desires.

A therapist at a Berlin university navigates delicate emotional terrain as she provides solace to a grieving student grappling with the suicide of a trans woman on campus.

An intimate account of a highly toxic relationship: during a lengthy visit from her boyfriend’s mother, the filmmaker documents the arguments between mother and son.

In the middle of what would have otherwise been a banal evening, everything Céleste has been trying to hide comes to light.

Hometopia is a short animation reflecting upon the ubiquitous but wildly despised British council housing. The animation takes on the tone of a child's fairy tale, depicting the bizarre experience of entering a dazzling estate and later getting lost in an illusionary utopian world.

In a remote village, a boy struggles under the suffocating grip of his dictatorial father. As he desperately seeks freedom, he soon realises that escape is not as simple as it seems.

A gesture of post-mortem cinema: spaces devoid of tangible life take on a spectral atmosphere, as though considered through the eyes of the departed. A spatial expedition through a deconstructed Berlin ensues, existential in its storytelling and political in its focus on an individual's trauma.