Aurel von Arx

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It is summer and five overly-seasoned college students have been given the task of writing a group paper on Franz Kafka’s “The Country Doctor.” At first they are reluctant, but in a cloud of hashish they come up with the idea to film the story instead. Their film location is a campsite in Sicily, which they had already booked ages ago for summer vacation. The technical department consists of a couple “unique” men from the Vienna film scene. To everyone’s surprise, they even manage to get Kafka himself to play a supporting role in the film.

Journalist Sophie Bergmann is working on a legacy study on the effects of Hartz IV on society. She is increasingly reluctant to report on the symptoms of the labor market reform in isolation from its causes. At an EU conference in Brussels, she witnesses the German finance minister being put under pressure by a stranger. When she accidentally sees the same man getting into the car of the editor-in-chief of her newspaper, Sophie is irritated. With the help of Matti, the IT specialist from the editorial office, she begins to investigate.