Directing
The prodigals Runau and Amelie struggle with their addiction.
After taking on a questionable assignment from a major pharmaceutical company, graphic designer Victoria is plagued by a guilty conscience that haunts her in the form of an advertising mascot she designed herself, which has come to life.
Shooting requires the shooter to completely immerse herself in the present. Death appears to her as a great sleep. She seems anchorless. But in the morning hours, she finds her way back to the woman closest to her.