Arthur Lake

The Ed Sullivan Show is an American TV variety show that originally ran on CBS from Sunday June 20, 1948 to Sunday June 6, 1971, and was hosted by New York entertainment columnist Ed Sullivan. It was replaced in September 1971 by the CBS Sunday Night Movie, which ran only one season and was eventually replaced by other shows. In 2002, The Ed Sullivan Show was ranked #15 on TV Guide's 50 Greatest TV Shows of All Time.

This Is Your Life is an American television documentary series broadcast on NBC, originally hosted by its producer, Ralph Edwards from 1952 to 1961. In the show, the host surprises a guest, and proceeds to take them through their life in front of an audience, including special guest appearances by colleagues, friends and family. Edwards revived the show in 1971-72, while Joseph Campanella hosted a version in 1983. Edwards returned for some specials in the late 1980s, before his death in 2005. The show originated as a radio show on NBC Radio airing from 1948 to 1952.

Blondie is the first of two TV series based on the comic strip of the same name. It first aired on January 4, 1957, on NBC. Although Penny Singleton had starred in most of the Blondie movies, producers chose Pamela Britton for the title role, with Arthur Lake playing the role of Dagwood Bumstead as he had in the Blondie movie series. A pilot episode was filmed in 1954 with Hal Le Roy as Dagwood opposite Britton's Blondie. The DVD for the 1957 version of Blondie was later released but only includes the first three episodes.

Madcap couple George and Marion Kerby are killed in an automobile accident. They return as ghosts to try and liven up the regimented lifestyle of their friend and bank president, Cosmo Topper. When Topper starts to live it up, it strains relations with his stuffy wife.

Clips from assorted television programs, B-movies, commercials, music performances, newsreels, bloopers, satirical short films and promotional and government films of the 1950s and 1960s are intercut together to tell a single story of various creatures and societal ills attacking American cities.

Blondie and Dagwood are about to celebrate their fifth wedding anniversary but this happy occasion is marred when the bumbling Dagwood gets himself involved in a scheme that is promising financial ruin for the Bumstead family.

Dagwood wants to join the trout club and Blondie wants a fur coat. Jealousy reigns when Dag's old girlfriend Joan shows up, but nothing else matters when a drawing at the movie theatre provides money for the coat.

A collection of film clips profiling animal actors.

Mr. Dithers leaves Dagwood in charge of the office for a short period. Poor old Dagwood manages to gum things up when he falls for a confidence scam engineered by the duplicitous Toby Clifton. He even finds himself in a compromising position that seriously endangers his future connubial happiness with his wife Blondie. Once again, it's up to Blondie to straighten out the mess.

Things get under way when Blondie Bumstead demands that her husband request a raise from his boss Mr. Dithers, so that she can afford to hire a maid. But Dithers has no time for any salary disputes: his construction firm is currently stuck with an unsaleable old mansion that is rumored to be haunted. To disprove this theory, Dithers asks the Bumstead family to spend a night in the crumbling old house, throwing a retinue of servants into the bargain.

To cure their flirtatious husbands of consorting with flappers, three wives-- Susan Martin, Ethel Drake, and Kitty Ladd-- arrange with three college boys-- Henry Winton, Oscar, and Joe Valley-- to flirt with them at a house party. Joe Valley, who poses as a hot-blooded Spaniard, is vamped by Ginsberg in female attire, and Oscar, a bashful Swede, uses caveman methods when aroused. During a rehearsal of the party, the three husbands arrive, followed by their flapper friends, leading to comic complications.

Army training Sgt. Gray makes a bet that he can get himself invited to breakfast with his commanding officer, General Markley. But he gets into an unhappy tangle with a couple of enemy spies (and a happy tangle with the general's daughter) before the bet is finally decided.

Blondie decides she wants to be a star and nearly turns her household upside down in this entry in the long-running domestic comedy series. Dagwood has mixed emotions about his wife's theatrical aspirations and eventually he decides to get her to quit. As usual - disaster ensues.

The Bumstead family is off to see relatives in the country when Blondie runs into Charlie and Millie, an eloping couple needing her help.

Dagwood Bumstead must receive a college diploma or lose his job with the Dithers Construction Company. Not wishing to be separated from her husband, Blondie enrolls in college as well. But Leighton College rules stipulate "No Married Couples", forcing Blondie and Dagwood to pretend that they're not married. This causes quite a dilemma when coed Laura Wadsworth begins flirting with Dagwood and Rusty Bryant does the same with Blondie. And Blondie's discovery of a very pleasant secret threatens to expose her and Dagwood's marital status too.

An heiress takes a job as a department store clerk.

Blondie organizes Housewives of America to perform home-front wartime duties, including guarding the local dam... Blondie for Victory was twelfth in Columbia's series of comedy films based on Chic Young's popular comic strip Blondie. Anxious to do her bit for the war effort, Blondie joins the Housewives of America, a home defense league. Husband Dagwood soon finds that Blondie is neglecting her responsibilities at home in favor of her war work; also disgruntled are Dagwood's chauvinistic boss Mr. Dithers and a newlywed husband whose wife is never home thanks to the defense league.

After bungling a real-estate transaction, Dagwood Bumstead (Arthur Lake) is demoted to office boy by his flustered boss Radcliffe (Jerome Cowan). Number 23 in the long-running Blondie series.

A high-speed train becomes the star of the film as it rushes from Chicago to Hoover Dam to transport an iron lung to a needy patient.

Director Christy Cabanne's 1933 film dramatizes one year in the lives of four midshipmen at the U.S. Naval Academy.