Marília Gallmeister

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

53,000 years before or after anyone. for three days the axis of the earth has stopped. The sun and moon inhabit the earth's horizon at the same time, aligned. The vibrations on the surface have reduced considerably, we are now very close to vital ground zero. Plant cells and human hemoglobin need to meet. There is only one moment for photosynthesis. The horror of the tropics gnawed at every eye. Free the condensed particle of everything.

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