Zeynep Güngör

With the hope that the pandemic is coming to an end, Didem has been preparing for a New Year’s Eve celebration for over a month. All her loved ones can finally get together and make up for the lost time, but the lockdown announcement has her plans blown off course. Ozan is determined to let his wife have the celebration she deserves. He invites their neighbors to the party, and the fun begins.

This fast paced farce begins with an apparently innocuous request from a village elder to take a recently deceased man to his home village for proper burial. Salim, the simple village man on which this request is bestowed, is afraid of death and by extension dead people, but he reluctantly agrees to take the dead man in his truck in order to incur good-will.

A young university freshmen enters university with hopes of pursuing his art, but is challenged by a dark reality of human existence which has haunted him since his childhood.

Bengi, a young journalist, receives anonymous videos showing victims answering a knocking door. Each ends when they look through the peephole. Investigating, Bengi discovers hidden messages in the videos. When her door knocks the same way, she films the peephole.