Directing
Jorge Grau Solá was a Spanish director, scriptwriter, playwright and painter.
Paco is the boy buttons a luxury hotel. Usually do small businesses with the resale of tickets to bullfights tourists. By a misunderstanding is fired from his job. There is no use of his taste and wanders the Victoria Street taverns. Finally discovers his only chance in bulls, easy craft that believes and loves. The reality is very different and has to accept the truth which manifests itself in a very dramatic.
An expressionist reimagining of the classic Greek myth involving Acteón and Diana, transposed to Spain's Costa Brava by a future auteur of horror cinema. Based on the myth from Ovid's Metamorphoses in which Acteón accidentally catches a glimpse of Diana, the goddess of love, and is subsequently turned into a deer for his dogs to devour, Jorge Grau's modernist retelling resets the story to contemporary Spain, where a fisherman – played by Martin LaSalle, star of Bresson's Pickpocket – follows an enchanting, flirtatious stranger into the city.
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When a series of murders hit the remote English countryside, a detective suspects a pair of travelers when it is actually the work of the undead, jarred back to life by an experimental ultra-sonic radiation machine used by the Ministry of Agriculture to kill insects.
While on holiday in Rhodes, Athenian war hero Darios becomes involved in two different plots to overthrow the tyrannical king, one from Rhodian patriots and the other from sinister Phoenician agents.
Eurotika is a Channel 4 documentary film on European exploitation cinema. The documentary is similarly themed to Pete Tombs's book Immoral Tales: European Sex and Horror Movies 1956-1984. During the 1960s and 1970s, European low-budget films went kinky, emerging as a new type of cinema that blended eroticism, surrealism, horror, and over-the-top atmospherics.
King of Horror, legendary actor, scriptwriter and director, Paul Naschy is regarded as the Spanish Lon Chaney and the most prolific filmmaker dedicated to the fantastic cinema in Spain.
Countess Elizabeth Bathory conspires with her husband to acquire the blood of virgins to maintain her youth and beauty.
A chronicle of the life of Jaro, the leader of a juvenile delinquent gang, depicting his rise from street urchin to outlaw anti-hero on the way to his inevitable end.
Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.
A notoriously harsh French judge, vacationing at a luxury resort, finds his holiday interrupted when a mysterious killer begins murdering those in and around the hotel.
Muscleman fights sea monsters and Amazon warriors, then returns home to find a race of giants living in a valley, into which fellow countrymen are being thrown as punishment for opposing a usurper king and his consort.
Filmed to praise the work of the Spanish Ministry of Housing in solving the problem of shanty towns in Bilbao, it was made to be viewed by General Franco and not for public screening or distribution through the NO-DO newsreel. Although the short film was commissioned by the Ministry of Housing, director Jorge Grau produced a subtly critical work.
A female lawyer passionately defends criminals, believing that everyone deserves a second chance. But her latest defendants have no qualms about making her their next victim.
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
Pamplona, 1975: Dr. Navarro, a famous doctor in the city, feels strongly attracted to Juana, his nurse, who is also in love with the doctor. Navarro, however, moved by his strong religious convictions (in fact, he is a numerary member of Opus Dei) remains faithful to his wife and tries by all means to prevent that their relations with Juana break through professional boundaries. For the purpose of that, he orders the nurse will sent to another hospital. This will push Juana to take the initiative and provoke the doctor during San Fermines.
A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.
A chronicle of the different reactions of a girl when she finds that her boyfriend decides to end their relationship.
While conducting interviews with women working in local brothels, Fernando, a journalist, meets Elisa. The woman will tell him her dramatic story, which begins at age 14 when she is raped by her godfather.
The story of the relationship between a showgirl and a former toreador.
