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Kaneto Shindō

Kaneto Shindō

Directing

Biography

Kaneto Shindo (新藤 兼人, Shindō Kaneto, April 22, 1912 – May 29, 2012) was a Japanese film director, screenwriter, film producer, and author. He was married to actress Nobuko Otowa (1925–1994), who appeared in several of his films. He directed 48 films and wrote scripts for 238. His best known films as a director include Children of Hiroshima, The Naked Island, Onibaba, Kuroneko and A Last Note. His scripts were filmed by such directors as Kon Ichikawa, Keisuke Kinoshita, Fumio Kamei and Tadashi Imai. He won the 1996 Japan Academy Prize for Director of the Year for A Last Note. Shindo was born in Hiroshima Prefecture, and he made several films about Hiroshima and the atomic bomb. Like his early mentor Kenji Mizoguchi, many of his films feature strong female characters. He was a pioneer of independent film production in Japan, founding a company called Kindai Eiga Kyokai. He continued working as a scriptwriter, director and author until his death at the age of 100. Shindo made a series of autobiographical films, beginning with the first film he directed, 1951's Story of a Beloved Wife, about his struggle to become a screenwriter, through 1986's Tree Without Leaves, about his childhood, born into a wealthy family which became destitute, 2000's By Player, about his film company, seen through the eyes of his friend Taiji Tonoyama, and his last film, Postcard, directed at the age of 98, loosely based on his military service. Description above from the Wikipedia article Kaneto Shindō, licensed under CC-BY-SA, full list of contributors on Wikipedia​

Known For

The Battle of Okinawa
7.8

The Americans are swiftly closing on Okinawa, an island just south of the Japanese mainland. The Imperial command sends top generals and several army divisions to defend it at all costs. The mission quickly degenerates as vital resources and troops are diverted to other islands. After a civilian evacuation ends in tragedy most of non-combatants are forced to remain on the island. Many convert to soldier status. Tokyo sends mixed messages that squander time and resources, as when they order the defenders to build an airstrip for aircraft that never come. The truth soon becomes obvious: the high command decides that the island cannot be held and effectively abandons the Okinawan defenders. When the Americans land many troops are deployed in the wrong places. As the slaughter mounts, a suicidal attitude takes hold. Okinawa becomes a death trap, for civilian volunteers and non-combatants as well.

The Battle of Okinawa

1971Movie