
Ray Danton
Acting
Biography
Ray Danton (born Raymond Caplan; September 19, 1931 – February 11, 1992), also known as Raymond Danton, was a radio, film, stage, and television actor, director, and producer whose most famous roles were in the screen biographies The Rise and Fall of Legs Diamond (1960) and The George Raft Story (1962).
Known For

When an assassin's bullet confines him to a wheelchair for life ending his career as Chief of Detectives, Robert T. Ironside becomes a consultant to the police department. Detective Sergeant Ed Brown and policewoman Eve Whitfield join with him to crack varied and fascinating cases. Ex-con Mark Sanger is employed by the chief as home help but eventually becomes a fully fledged member of the team also. Officer Whitfield leaves after 4 years service, and is replaced by Officer Fran Belding.
Ironside

A private investigator who works when he wants, lives in a beachfront estate in Hawaii, drives a posh Ferrari, runs up an unlimited tab at a swank bar, and charms attractive women in peril - that's the lifestyle of Thomas Magnum, aka Magnum, P.I.
Magnum, P.I.

An anthology comedy series featuring a line up of different celebrity guest stars appearing in anywhere from one, two, three, and four short stories or vignettes within an hour about versions of love and romance.
Love, American Style

The Maverick boys - Bret, Bart, Beau and Brent - are a clan of well-dressed dandies, gamblers who'd much rather make their money playing cards than messing up their fine clothing with actual work. Sly and clever, none of the Mavericks are much for acts of derring do, but they can be courageous when the situation calls for it. Most often, however, they live by their wits and considerable charm.
Maverick

Hawaii Five-O is an American police procedural drama series produced by CBS Productions and Leonard Freeman. Set in Hawaii, the show originally aired for 12 seasons from 1968 to 1980, and continues in reruns. Jack Lord portrayed Detective Lieutenant Steve McGarrett, the head of a special state police task force which was based on an actual unit that existed under martial law in the 1940s. The theme music composed by Morton Stevens became especially popular. Many episodes would end with McGarrett instructing his subordinate to "Book 'em, Danno!", sometimes specifying a charge such as "murder one".
Hawaii Five-O

Los Angeles County medical examiner Quincy routinely engages in police investigations.
Quincy, M.E.

Cranky but likable L.A. PI Jim Rockford pulls no punches (but takes plenty of them). An ex-con sent to the slammer for a crime he didn't commit, Rockford takes on cases others don't want, aided by his tough old man, his lawyer girlfriend and some shady associates from his past.
The Rockford Files

The saga of a wealthy Denver family in the oil business: Blake Carrington, the patriarch; Krystle, his former secretary and wife; his children: Adam, lost in childhood after a kidnapping; Fallon, pampered and spoiled; Steven, openly gay; and Amanda, hidden from him by his ex-wife, the conniving Alexis. Most of the show features the conflict between 2 large corporations, Blake's Denver Carrington and Alexis' ColbyCo.
Dynasty

The Shiloh Ranch in Wyoming Territory of the 1890s is owned in sequence by Judge Henry Garth, the Grainger brothers, and Colonel Alan MacKenzie. It is the setting for a variety of stories, many more based on character and relationships than the usual western.
The Virginian

Climax! is an American anthology series that aired on CBS from 1954 to 1958. The series was hosted by William Lundigan and later co-hosted by Mary Costa. It was one of the few CBS programs of that era to be broadcast in color. Many of the episodes were performed and broadcast live.
Climax!

Sergeant Thomas Jefferson Hooker is a tough-as-nails veteran police officer with the LCPD who turns his back on a gold badge and goes back to patrolling the streets and training recruits. Along with his young partners in blue, Hooker take on Lake City's toughest criminals.
T. J. Hooker

The F.B.I. is an American television series that was broadcast on ABC from 1965 to 1974. It was sponsored by the Ford Motor Company, and the characters almost always drove Ford vehicles in the series. Alcoa was co-sponsor of Season One only.
The F.B.I.

Cannon is a CBS detective television series produced by Quinn Martin which aired from March 26, 1971 to March 3, 1976. The primary protagonist is the title character, private detective Frank Cannon, played by William Conrad. He also appeared on two episodes of Barnaby Jones. Cannon is the first Quinn Martin-produced series to be aired on a network other than ABC. A "revival" television film, The Return of Frank Cannon, was aired on November 1, 1980. In total, there were 124 episodes.
Cannon

Cheyenne Bodie was a big man, a former army scout who went west after the American Civil War and drifted from job to job, here a cowboy, there a lawman, and always a larger-than-life hero. CHEYENNE is an American western television series of 108 black-and-white episodes broadcast on ABC from 1955 to 1963. The show was the first hour-long western, and in fact the first hour-long dramatic series of any kind, with continuing characters, to last more than one season. It was also the first series to be made by a major Hollywood film studio which did not derive from its established film properties, and the first of a long chain of Warner Brothers original series produced by William T. Orr.
Cheyenne

During an experiment gone bad, radiation turns a scientist into a raging green behemoth whenever he becomes agitated. Unable to control his transformations, David Banner searches for a cure as he crosses the country, fugitive-style, with a dogged tabloid reporter on his trail.
The Incredible Hulk

The Big Valley is an American western television series which ran on ABC from September 15, 1965, to May 19, 1969. The show stars Barbara Stanwyck, as the widow of a wealthy nineteenth century California rancher. It was created by A.I. Bezzerides and Louis F. Edelman, and produced by Levy-Gardner-Laven for Four Star Television.
The Big Valley

A British television anthology of stories, often with sinister and wryly comedic undertones, and a twist at the end. With early episodes written and presented by Roald Dahl, the series featured a plethora of big name guest stars.
Tales of the Unexpected

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.
Studio One

Mary Beth Lacey and Chris Cagney are teamed up as NYPD police detectives. Their opposing personalities (one is tough and the other sensitive) mesh to make this one of the great crime-fighting duos of all time.
Cagney & Lacey

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.