Mirjam Khera

No description available.

Nima decides to become a frog because as a human being, as a woman, she finds no place in society in this form. However, her journey to becoming a frog becomes above all a confrontation with autonomy over her own body.

Is it a mother's duty to love her child? A mother regrets not only the death but also the birth of her child. As a mother in a small town, Lilith is constantly exposed to the expectations of other people who leave no doubt that motherhood is a wonderful thing. But Lilith cannot change her feelings. The young woman quietly endures her fate, but at the same time asks openly for the first time whether a mother really has to love her child.

Inside the halls of a dystopian textile factory two young workers shortly escape their harsh reality into the fantasies of a fairytale.

The story of Basti and Raffaela. Both are “mid-20s”, Raffaela is currently writing her bachelor's thesis and is not getting anywhere, and Basti is working in a graphics start-up company and is frustrated. Raffaela breaks up, Basti accepts it and feels unable to do anything. Luft tells of the state of agony, an agony of the internship generation, which faces a multitude of possibilities in its life and yet is unable to take a path to make a decision.

In the face of an impending catastrophe, a family holes up in their house. The mother, Anna, has dedicated her life to housework and the children. She tries to create a warm home for her family in the cramped and dark isolation. But the threat draws inexorably closer. When supplies run out and her husband sets out to get supplies, Anna's only support falls away.