Jean-Pierre Jacquet

Doug Funnie experiences common predicaments while attending school in his new hometown of Bluffington, Virginia.

Asterix and Obelix depart on an adventure to complete twelve impossible tasks to prove to Caesar that they are as strong as the Gods. You'll roar with laughter as they outwit, outrun, and generally outrage the very people who are trying to prove them "only human".

With the help of government-issued pamphlets, an elderly British couple build a shelter and prepare for an impending nuclear attack, unaware that times and the nature of war have changed from their romantic memories of World War II.

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The Story of Noah's Ark: Meet the faithful Noah and his family as they learn of the great flood about to fall upon the Earth -- and of God's commandment that Noah build a huge, seagoing ark. The Story of Creation: Journey back to the beginning of the world as God brings forth the Earth, fills its waters and lands with plants and animals and, finally, crowns His creation with the first man and woman. The Story of David and Goliath: Preparing to battle the mighty Philistines, the soldiers of Israel suddenly find themselves facing a foe none of them dares to fight: the huge warrior-giant, Goliath!

An animated show about a bison with his own talk show modeled after the Jack Benny Show.

The Beginner's Bible

"The Story of Easter" celebrates the Resurrection of Jesus Christ. Learn of His kind deeds as He spends time with His disciples and teaches them about God's love. Watch as Jesus overcomes death and gives the gift of everlasting life.

Flangrant Délit, or In the Act, is the story of Liberty's visit as a tourist to New York. It borrows its dreamlike imagination not only from the Surrealist legacy, but also from Pop Art, which consummates the loss of the original object. Above all, it is the transcription of the “Manhattanism” and the “culture of congestion” described by Rem Koolhaas, where fantastic narratives exist side by side with fragments of reality, where the body is a mutant and symbiotic body, where the city yields up its mechanistic unconscious, and where skyscrapers are so many “desiring machines”.