Acting
chandler pippin is a queer nonbinary experimental filmmaker, video artist and editor.
what do you see when you look in the mirror? is that really you? made with two camcorder feedback loops, a broken mirror, and a dirty video mixer.
A voyeuristic night photographer discovers that she has become the subject of some thing's lens.
Made as part of my Experimental Film class at MSU. Everyone in the class had the opportunity to shoot some 16mm film on a Bolex camera. While most of the footage turned out great, there was a significant portion of black, unexposed film in the final scan. These portions stood out to me, almost like a blank canvas waiting to be painted on. Digital editing became my brush, and some beautiful imagery arose from the “waste” of film.
i've become fascinated with video. in our digital age, analog feels like a vacation. a retreat from constant feeds and timelines.
A film made with needles and ink. My first foray into serious experimental filmmaking as part of my Experimental Film course at MSU, lovingly hand-poked on clear and black 16mm leader.
secret meeting...
go against the grain
a piece made concerning my anxieties about the future.
Track 2 from the visual album for Mellowgrand.
Just a lake of blood for all the world to see.
from my visual album for Mellowgrand
a short visual piece made with two camera feedback loops and a dirty video mixer
a short visual piece made with a camera feedback loop and a dirty video mixer
an eight-hour long experimental film/performance art piece in which filmmaker chandler pippin creates their own arbitrary form of service work and films a shift in its entirety.
my segment from POINT {br}, a re edit of Point Break by video editors and artists of marginalized genders.
‘sir’ was made after discovering more about my gender identity. By turning a “male” gaze towards myself, I explore my relationship with masculinity and how that affects how I am perceived in the world. The voices of my family reflect a struggle with the idea of coming out to those who I love as well as those around me, as I find some sense of safety in my perceived maleness despite the discomfort and internal strife it may cause.
