Gonçalo Oliveira

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A village in the interior of Portugal is preparing the best village festival ever, in the year that marks the centenary of its greatest benefactor. Everyone does their best in organizing the party always with something in mind: the inheritance of the elderly woman.

Zeca was jailed for a crime he didn't participate, now he's free and while trying to make a new life he encounters a kid, surprisingly the boy is Ema's son, his long time lover.

The Good Girls Club is a drama series that follows the capital's night, where sensuality and sex mix with politics, security, business and glamour, and which will accompany the story of 3 characters: the security guard, the owner and the new girl.

A story of love and revenge of a woman who, as an adult, returns to the place where she was raped and where she will be surprised with her ability to overcome.

This is the story of a woman who fell in love and was betrayed. Her beloved was successful at the expense of a song that stole from her, while she was forced to fight for survival, far from her homeland. It is also the story of a girl forced to mature quickly, to raise her daughter, without knowing that, after all, it was not her daughter she was raising...

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The daily life of the residents of the "Terraços do Glamour" condominium, on the outskirts of Lisbon, highlights their problems with defective apartments and spoiled facilities due to the developer's false promises.

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Filled with noble characters and locations, “Na Corda Bamba” strives for constant surprise and addresses a universal question: How far would you be willing to go to make a dream come true?

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An aristocratic Sicilian family living in the 1950s. Count Villafratti has sex one night with his nymphomaniac daughter because he thinks she is his wife.

Egas Moniz, a man marked by perseverance and ambition. Audacious and in dissonance with a country full of “narrow-minded” people, Egas Moniz faced everyone so as to impose his scientific ideas, for which he was awarded, at a quite advanced stage of his life, the much-desired Nobel Prize for Medicine in 1949.

And only the Man remains immune. Consumed by desperation, in an attempt to save the Woman and protect his Son, the Man goes looking for help and travels through the village where nothing is as it seems. During a surreal and hallucinating night, the Man, haunted by memories of another life, begins to lose track of reality.

A fiction within fiction, in which a television crew shoots a film about the poet and philosopher Anthero de Quental, from São Miguel, in a vision of his life and work staged and told through the fictionalized testimonies of those who knew him. The poet's life and death will be staged through the eyes of a group of traveling performers and the testimonies of some of the personalities who knew him best: Ramalho Ortigão, Eça de Queiroz, Oliveira Martins, Teófilo Braga, and his sister Ana Quental, whose sometimes contradictory points of view will attempt to unravel some of the enigmas that haunted Athero's tormented existence and the complete reasons that led him to the bench where, under the anchor of Hope, the poet described his life and committed suicide.

Uncertain whether his bus will arrive, a hesitant and anxious young man begins to question the point of waiting. As he stands at the bus stop, his interactions with those who arrive lead him to reflect on the passing of time and how he should face it.

Álvaro and Jaime, two childhood friends in their twenties, share a particularly critical view of the functioning of society in all its dimensions. Spending much of the day as a video club clerk in order to get some financial income and get around the difficulty they feel in entering into the game of professional careers and status - a refusal that is a personal commitment for them - the two main characters they are plotting a suburb diary. While they understand the nonsense of the existence of a videoclub, at a time when the proliferation of the Internet facilitates access to the contents available there, the two main characters engage in a parallel business selling the herb, using the establishment like facade. The process passes without the knowledge of the owner of the video club, an individual at the end of middle age with a total disinterest for cinema.

Eva and Sónia, orphans in their twenties, with very different backgrounds from each other, are in a romantic relationship held only by a van in which they live in and travel across the country.

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