Luthfan Nur Rochman

The Batujaya Temple in Karawang revolutionized the notion that terracotta buildings from the Hindu-Buddhist period came from a younger period than andesite. Sites stretching from prehistoric times to the 10th century are evidence of the archipelago's cosmopolitanism since the early century AD based on the Citarum River. The discovery and interpretation of it were also guided by Indonesian archaeologists, long after the colonial antiquities department had led archaeological missions in the past. This film is a poem for ancient terracotta, soil, archaeologists and the citizens of Batujaya today.

She is a teacher. She is a mother to young artists, a mother to activists of social and cultural movements. Indonesia has a long and unresolved historical wound, starting from the events of 1965, the silence of democracy and human rights activists, and the spread of identity politics. In the midst of it all, DOLO, a female sculptor opens the wounds of history through her sculptures.

After over a decade in prison, little trace of filmmaker and member of the leading Communist cultural movement Bachtiar Siagian’s life and work could be found, but Hafiz Rancajale still searched. Alongside his colleagues, they revise his mis-slandered history.

The voice of Miriam de la Croix’s letter covers the life of a botanist and her three children. The letter contains Miriam de la Croix’s compassion for the plight of the Dutch East Indies under European colonial rule, especially the Netherlands. The content of the letter became the background sound in the activities of a botanist in doing modern work and science with her three children that day, where modernity and science in the Indies actually came together with European colonialism.

The Glebagan system was created to force farmers to rotate crops and convert some of their land from basic agricultural commodities to industrial raw materials. This system has changed the face of agriculture and shaped the sugar map in various regions in Indonesia. With psychogeographical documentary approach, the film shows the landscape of the sugar map in a village of Krembung region, tracing step by step the sugarcane plantations that occupy farmers' rice fields. It is an observation of a repeating cycle, interjected with past archival footage of sugarcane and people movements.

New cosmopolitanism started with the bromocorah’s (free agent) dynasty. Through Palah (Panataran), we see the legitimacy of his great-grandsons appropriating the power of the Central Javanese dynasty, perpetuating the throne and cultural hegemony through the story of the man in the tkes hat, Panji.

Siwalaya, which means the nature of Shiva. A place where birth, glory and destruction are in perfect circle lines. In Siwalaya there are worship buildings that have stood for centuries; experiencing changes in natural and human history. For those of us who live today, what is the meaning of these buildings that are hundreds of years apart in culture and time?