Alexandr Trusch

When Margot Fonteyn, the greatest ballerina in the West, is 42 senses her career is over. Rudolf Nureyev is 23, a rebellious Soviet defector — magnetic, explosive, unstoppable. Together, they ignite the stage and become icons of the Swinging Sixties. Fonteyn is reborn by Nureyev’s wild energy, but their bond is complicated by her marriage and his affair with another dancer. To preserve what they have, they will risk everything for one defining ballet—because the only place they can truly be together… is on stage.

Created in 1971, John Neumeier's ballet set to Tchaikovsky's music is now a classic performed all over the world. In his reinterpretation of The Nutcracker, the American choreographer transposes young Marie's initiation into the world of dance under the tutelage of ballet master Drosselmeier.

Neumeier's dance version of the Shakespeare play about the trials and tribulations of love has lost none of its freshness over three decades after its premiere. With his selection of music, which ranges from Mendelssohn Bartholdy to György Ligeti to traditional barrel organ music, John Neumeier shows his dramaturgical sensibility by integrating three different musical styles into his choreographic narrative.

"Rejoice, exult" - John Neumeier turns Buch's Christmas Oratorio into an experience that confronts us all with the most basic questions of trust, hope, faith, doubt and self-sacrifice. "My choreography is not a religious undertaking. We perform to Bach's music, for a few hours unifying individuals of many different cultural and religious backgrounds, For me, the basic human values expressed through the choreography are always the most important thing. Therefore, in my ballet, Mary is known simply as 'The mother' and Joseph as 'Her husband'." "Once again it is impossible not to be impressed by the flawless technique of the ensemble ... When at the end Lloyd Riggins tap-dances his way across the stage like Fred Astaire, the Christmas oratorio is complete" (Sueddeutsche Zeitung).