Ninda Fillasputri

Hestu and Akbar are twin brothers forced to reunite when their grandmother dies on a sacred day (Saturday Wage, the 6th of June at 6 o'clock). Grandmother's spirit haunts them and hunts them until someone accompanies her to the afterlife. The two of them are determined to wreak havoc in the village in search of this "companion" to save them from the terror of Grandmother's spirit.

In a town where pleasure equals being possessed by spiritual beings, Bayu aspires to be the shaman of a trance party so he can fundraise enough money to prevent an impending eviction.

Pertiwi, a strong and independent woman who took care of her three children: Adam, Sekar, and Isham until they became adults and left their hometown. Her husband died after losing the village head election against his rival, Janji Upaya. The children of Pertiwi, who blamed Janji Upaya for their father's death, harbored deep feelings of resentment towards Janji Upaya.

For the Broto family, managing their beloved Yogyakarta inn is no easy feat — especially when their youngest son falls in love with a married guest.

When Siti loses the attention of her biological children, who are established and busy with their respective jobs, she takes care of Murni, a psychoneurotic pregnant girl. What Siti did made her children worry and forbade her. Accompanied by her adopted son Jalu, Siti is determined to take care of Murni when her physical condition is getting weaker due to cancer.

The twists and turns of the life of the youngest child named Mar who always tries to fulfill her family's expectations. But this time, Mar is faced with a difficult situation, because she is suddenly matched with a man named Marno. The two of them must get married in front of Mar's father's body, right on the day of his death. In fact, Mar herself already has a lover. So, will Mar and Marno's wedding procession go smoothly?

A young man discovers he is the descendant of a powerful warrior and must unlock his hidden abilities to fight an ancient enemy who seeks to alter history and destroy the world.

An anthology explores the lives of four women as they navigate the societal pressures of womanhood.

A young couple, Sopian and Tiara who spend a regular date together and bring out a conversation regarding their dreams to work in the newly established airport, next to their village.

Released early on remission during the COVID-19 pandemic, a former prisoner joins her grandmother on a walk that slowly leads her toward an unexpected reckoning with the past she thought she had left behind.

Halim considers himself a pious Islamic man. He wishes to marry a young woman in her village as a second wife to save her from miserable life. His wife doesn't agree. Halim contemplates on his own decision while a weird fantasy world starts to suck him in.

Two perspectives of hatred from Blackbird believers towards their own faith.

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As rising ingredient costs threaten their chicken soto stall, a young girl and her father must find a way to keep it alive.

Kira (21) is a girl who was forced to abort her pregnancy by her lover and his family. Not accepting this, Kira tried to fight back, but unexpectedly a robbery incident caused her to lose her life. Her best friend who knew about Kira's incident tried to seek justice.

Sifa, Bram, and Hoho are having fun learning Javanese using the Rap method taught by Mas Kancil. The sound of hip hop music made them even more enthusiastic about learning several English manners which were used as song lyrics. In the midst of the excitement, suddenly a supernatural event occurred. The incident started because Bram was playing a sacred gong at Sifa's house. Unconsciously, Sifa, Ibu, Mas Kancil and Bram experienced "Switched Dimensions". Sifa's soul exchanged with her mother's soul, just as Bram's soul exchanged with Mas Kancil. This incident disrupted their study session, and even sparked a dispute between Sifa and her mother. Hoho, who realized that he was the only person whose soul had not been swapped, then tried to find a way to return the situation to normal.

To pay off his loan debt, Togog, a casual laborer, is squeezed by circumstances and is forced to fish in a river filled with the remains of bodies that have drifted away. According to myth, fishing at the place of the dead will bring good luck. But unfortunately it wasn't luck that Togog got, it was actually a disaster that he created himself.

Mbak Gede, a middle-aged woman, oversees the illegal life of the bus terminal with a watchful eye, as she is the lady in command, the one to be feared, until her husband arrive.

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Three women in three regions in Indonesia in redefining their destiny. They have problems about their helplessness towards their nature as women generally, facing equality, rights, and traditions, yet transforming them into empowerment for the lives around them.