Production
76-year-old widower Encek convenes his children for a final dinner, unveiling concealed memoirs of love, loss and generational wounds before choosing the sea as his reunion place with his deceased wife.
Sara, a transgender woman goes back to her remote hometown to attend her father’s funeral. She finds the village has changed greatly, and that the villagers have become extremely religious. Added to that, her mother suffers from dementia and treats her like a complete stranger.
A craftsman, devoted to his wife and three children, sees his life unravel when he returns home to find another family living in his house and his loved ones missing. As he searches for answers, no one in his village recognizes him despite his lifelong residence, sending him spiraling into paranoia and violence.
Hujan mysteriously loses her baby. In desperation, she meets Bayu, who offers help. Bayu took her to a shaman. The shaman reveals that Hujan's baby has been taken by a creature from another world, "Hantu Jabang Mayit", a ghost summoned through dark rituals to target babies of mothers who are not ready to give birth.
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With special agreement with his sister, estranged son agree to accompany his strictly religious father on a journey to seek the crescent moon that signals the start of Eid.
An engaged couple having a lunch in a cafeteria, and we follow their conversation as they go into minute detail about what needs to be organized for the upcoming wedding. This is a glimpse into the life of a modern young people struggling with their parents’ cultural legacy.
