Acting
Los Nuevos was the only feature film directed by Paul Delfín. It was based on a story by the writer and journalist Edgardo Pérez Llina, who published articles on cinema in the Lima newspaper Correo with some consistency during the 1960s. Los Nuevos aimed to offer a chronicle of youthful anxieties at the beginning of the 1970s. All the topics of sexual awakening and "political commitment," of generational rebellion, protest against the "system," and the general "dissent" as the order of the day, were reviewed in an erratic plot, filmed in imperfect black and white.
A tragic love triangle.
A man finds a wallet, uses the identity documents to search for the owner, and a curious relationship begins.
After she loses her mobile phone, a lawyer receives a call from the person who found it. They talk and hit it off very quickly. But she's in shock when she sees that he's very short.
Ten thousand kilometers is the distance that separates France from Peru. Sylvie (Catherine Salviat) and François Boyer (Alexandre Arbatt) crossed this distance for the first time seventeen years ago to adopt Vincent (Jef Odet Sarfati), born in Lima, who became their eldest son. A year later, they returned to Peru to look for Marie (Cristiana Reali), who is now sixteen. It had always been agreed that the Boyer family would return to visit the country where the children were born, and this "second trip," meticulously planned for a year, was to take place this summer...
Fishing businessman Luis Barletto is in trouble with the nationalist government, mysterious vehicles follow him. Meanwhile in Chaclacayo a gardener looks after his country house. His son José is a poor, shy and ugly boy who has lived an existence full of humiliation. On January 1, 1972, Barletto went to rest at his home in Chaclacayo. But he finds José armed with a pistol and a bloody ritual begins.
Two journalists, a reporter and a cameraman, cover violent incidents during a riot in a prison for common criminals. Television broadcasting live allows the rioters to see themselves as main characters. Our journalists come to understand, after a series of conflicts, the phenomenon in which they are participating, they are fueling the violence.
