Writing
The Dick Van Dyke Show centers around the work and home life of television comedy writer Rob Petrie. The plots generally revolve around problems at work, where Rob got into various comedic jams with fellow writers Buddy Sorrell, Sally Rogers and producer Mel Cooley.
Two down-on-their-luck loafers take a job babysitting, with a bedtime story of the titular tale turning into a wacky Abbott and Costello-faced musical retelling involving stolen cows, terrible giants, and the heroic boy with an opportunistic butcher in a castle above the clouds.
On a train trip out west to become a mail-order bride, Susan Bradley meets a cheery crew of young women traveling out to open a "Harvey House" restaurant at a remote whistle-stop.
Nick Condon, an American journalist in 20s Tokyo, publishes the Japanese master plan for world domination. Reaction from the understandably upset Japanese provides the action, but this is overshadowed by the propaganda of the time.
Joe spends a lot of his time at Nick's Pacific Street Saloon. Tom, who credits Joe with once saving his life, stops by regularly to run errands for Joe. Today, Tom notices a woman named Kitty when she comes into Nick's, and he quickly falls in love with her. Meanwhile, a distraught young man repeatedly calls his girlfriend, begging her to marry him. Nick himself muses on all the various persons who come into his bar, some to ask for work and others just to pass the time.
A woman in London unexpectedly inherits a Texas ranching fortune, and takes a transatlantic voyage to collect her fortune, not suspecting two men aboard both plan on winning her hand before she reaches America. One is a gambler interested in her money, and the other, a rich man looking for a wife. The rich man's friend, meanwhile, believes the heiress is actually a gold-digger.
