Directing
In our 3-year marriage, we have fought on every holiday, on parents' birthdays, during ancestral rituals, and even on Christmas. We argue all the time. The tension between my wife and my mother is killing me.
Soram visits her aging grandmother, who prepares dinner while struggling to breathe. Years later, after leaving home and taking on housework for the first time, she begins to understand the weight of "domestic labor." Reflecting on the invisible work carried by her mother and grandmother for decades, she questions how housework is divided, valued, and gendered. Through conversations with friends and care workers, she discovers the reality of domestic labor: essential to sustaining life, yet still unequally distributed.
Serial murder examines how seemingly rational choices can perpetuate inequality, challenging viewers to reconsider workplace structures and their societal implications. The Footprints of the Invisible Man Walking on the Sand explores diverse mourning processes, documenting memories, testimonies, and funerals of those for whom death is as close as life. Chores of one's own revisits a construction site 31 years later, exploring the impact of a young worker's death.
Three years since Korean society was first rocked by the MeToo movement, how much has changed? As the title suggests, #AfterMeToo tackles the activism and resistance that remained after the initial Me Too fever cooled. This anthology documentary ties together four shorts, dealing with the ‘School Me Too’ movement amongst teenagers, the fallout of the Me Too movement in the art world, confessions surrounding sexual trauma from long ago and its respective healing process, and the sexual self-determination of women.
