Anna Gesa-Raija Lappe

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Sarah and her best friend Dilek have a YouTube channel together, but it's no success. Sarah then discovers “hobbyhorsing” for herself, but Dilek doesn't think much of it.

A teenage girl's family falls for a cosmic cult promising salvation in a higher existence on Jupiter. As flashbacks leading deeper into the past unravel the family's struggle to get a hold on life, the girl has to decide if to follow her parents or to make her own way on earth.

Germany, 1946. Hunger, rubble, returning soldiers. Charlotte is pregnant, but her beloved returnee does not want her or his child. In order to win him over and escape the impending shame, she enrolls in the "missing course" of actress Gloria Deven, who was an up-and-coming film star under Fascism and is now banned from working. But Gloria, with her merciless lessons, is not interested in reviving the coquetry of girls that became superfluous in the war. Instead, she awakens in Lotte a longing for something too long denied her: Freedom.

A swimming pool, three women, a choir: Lilo wants to swim without water wings, Kira has to be the fastest and Frida wants to jump from the 10-meter tower.

In three forms, we see a young woman trying to accept the present. Each experiences a different facet of loss. The first is planning her mother's funeral, the second is dealing with her brother and the death of their shared father, and the third is trying to move on to a new life. While the protagonists have to decide which garment to wear at the cremation, how to address their brother after years of distance, or what technique to use to cut spare ribs, they move through their worlds with sometimes more, sometimes less humor. And again and again the question arises whether pain can be shared.

A solar system in which the end of history has already been surpassed: people allow themselves to be ruled by computer reason – ActualSanity – which keeps the community of planets in an harmonious ideal state. Political processes no longer seem to be necessary in this AI-driven, totalitarian and cosy government; instead, identity-forming collectives distinguish themselves from each other solely by subtle behavioural differences. Until a threat looms on the horizon: the Broken Hearts Collective disquiets the solar system with terrorist attacks – a development at the centre of which Marten Eliot and Emma Glendale, young head fellows of the Dolphin Collective, unexpectedly find themselves.

When Germany becomes right-wing extremist and homophobic again, Sasha and Noel no longer feel safe as a queer couple and decide to leave the country out of necessity.