Alexandros Drosos

(MOURNING) AFFIRMATIONS is a dreamy short film that drifts through mental struggle, grief, and fractured memory, structured around the relentless voiceover of a self-help tape. Set in the gloomy landscape of Berlin, the film exposes the quiet violence of compulsory wellness, the demand to cope, to heal, to be “okay,” and explores what emerges when we stop performing stability and allow ourselves to unravel.

Avant-Drag! paints portraits of ten drag artists of varying gender expressions and sexualities who take to the streets of Athens to query, problematise and (yes, please!) undermine social strictures. Employing wildly imagined personas – like riot housewives and Albanian turbo-folk girls – who perform acts as revolutionary as praising abortion and as charming as drawing childish pictures, these artists call for social justice by taking aim at conservatism, patriarchy, patriotism, racism and sexism.

A retro-futurist story of utopian politics, ideological conflicts, supernatural leaders and totalitarian spectacle. Cyberpunk queer pirates against rainbow homo-capitalist normies. Revolution vs reformism; logic vs affect. The trappings of post-internet identity politics through a contemporary take of the myth of Orpheus.

1000+1 days after the outbreak of a pandemic, a group of strangers are forced to live together and establish a fake company STUDIO TATH. Through it they deliver online daily classes and performances, where they try to convince the audience and themselves that every day is Monday and they will finally manage to live a normality. The film was made in the context of the 5th Panorama Film School of the Aristotle University of Thessaloniki with the theme DEACTIVATION.