Eri Ota

Professor Shiro Sakaki, a butterfly researcher, confesses to turning six young boys, including his own son Itaru, into "human specimens."

Tsugumi, who works at an interior design firm, has an unexpected encounter with her first love from high school, Itsuki, at a dinner with her client’s whole comp any, an architectural firm. Seeing Itsuki, who is a registered architect with a first-class license and is quite charming, brings back the faint memories from high school. In the middle of dinner, he quietly slips away and begins to head home, getting into a wheelchair. “You didn’t know? Itsuki was in an accident in college, and he can’t walk.” Tsugumi, her pulse racing, takes a step back and thinks to herself, “I can’t love someone in a wheelchair. It’s just not possible to date someone like that.” But when she accepts the reality of the situation and interacts with Itsuki, who struggles but fights to survive each day, she becomes overwhelmed with emotions that she has kept since her youth.

Rio is a high school student in Tokyo. Her mother tells her she will spend the summer in the countryside. There, she meets Ginzo. He is a high school student and handsome. They fall in love.

Starting in 1970s Hokkaido, the film charts the moral descent of Detective Moroboshi over three decades, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza.

Miki Takaraishi is a smart and beautiful 24-year-old woman, but her personality is not as good. She falls in love with Yuga Saito who is handsome and comes from a politician family. They see each other romantically, but Yugo Saito dumps Miki Takaraishi. To get revenge on Yuga Saito, she decides to run for prime minister. For her election campaign, she hires Toshiya Kadowaki as her campaign strategist.