Acting
Selamsiz (wich means 'no greeting') is a small town in Anatolia. The town has a lot of problems but noone from governments come and see the town. One day the mayor learns that the prime minister will come to the city. They, now, have a chance to solve their problems. However, they think that they should have a band to greet the prime minister.
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In this film that wavers unsteadily between a comedy and a tragedy, Murtaza (Mujdat Gezen) is a deluded security guard whose fanatical reverence for "duty" verges on the psychotic. He is incapable of seeing himself for what he is -- and as a consequence he is often the unwitting and unknowing brunt of jokes. His wife and daughters are painfully aware of his shortcomings, but they generally suffer in silence. One of the daughters ends up working in the factory to help the family out financially, and when Murtaza finds her sleeping on the job one night he hits her so hard she eventually dies from the blow. Though that is not the end of it, by any means.
Woodcutter Rıza gets embroiled in a property dispute with his relative, Satılmışoğlu İbrahim, that will last for years. Rıza is legally entitled to half of the Satılmışoğlu family’s estate. However, İbrahim Ağa uses a deed in his possession to stall Rıza for years. After Rıza’s death, his daughter Hatice takes over the property dispute. Ibrahim Ağa’s son, Kamber, is prepared to try every means to turn the case in his favor.
The comical story of Şaban, who came to Istanbul to earn his dowry and, by chance, became a famous folk singer known as Şaban Ballıses.
A man falls hopelessly in love with a village leader's daughter, who herself has feelings for an outlaw.
Muezzin Musa falls for his neighbor, the Catholic nurse Clara. The story gets even more exceptional when Musa meets Yakup, who turns out to be connected with Clara.
In the sequel to Tatar Ramazan, the events begin with Ramazan's arrival at the Adana closed prison. Abdurrahman Çavuş, who has established a feudal system in prison for years, and his right-hand man Akseli Bey have oppressed the prisoners. When Tatar Ramazan's reputation reaches the prison, the two worry that the cycle of robbery will come to an end. Their fears are justified. The oppressed prisoners, however, see Ramazan as their savior.
A young woman is trying to build a decent life for herself, but has to deal with the sexual advances of men all around her, including her stepfather.
Tarik Akan plays a man who attempts to get revenge for the rape of his fiancee.
Commissioner Musa, Kemal, and Ekrem arrive at Ayfer's brothel after receiving a report of a murder. A man has been killed. Shortly thereafter, Commissioner Musa is murdered by a killer named Orhan. Orhan works for a very famous businessman named Şahmat. Commissioner Musa and Kemal attempt to apprehend Orhan and bring Şahmat to justice.
Apti is a simple minded village man and he believes what is happening around him by chance is actually his doing. He becomes famous by beating a feared man and everyone starts to respect him than he meets a singer and an action-love story starts.
A kind-hearted tea maker works in a bustling commercial inn, where his good nature makes him an easy target. The business owner takes advantage of his generosity, while the woman he loves manipulates him for money, playing on his trust. As he faces these challenges, his simple routine slowly begins to shift, leading to unexpected turns that force him to rethink his place in the world.
The film tells the story of two old friends, Ahmet and Kemal, who work together to solve a murder. Ahmet, nicknamed "Baba," makes a living as an accountant. His son Ali, who works as a laborer at the same factory, is a union member. The factory manager pressures Ahmet to convince his son to leave the union. During a strike that breaks out at the factory, Ali is killed. Ahmet seeks help from Kemal, a businessman and his army buddy, to find his son's killer. Throughout this process, both Kemal and Ahmet begin to question their own lives.
This is one of the tragicomic films of Kemal Sunal who is most "serious-comic" artist of the Turkish cinema. This film also reflects socio-economic and cultural life of the 70's-80's Turkiye. The film obviously talk to Turkish audience but who wonder that era of Turkiye can taste of it. The film underlines of love, friendship and -richness in the poorness- and also is a story about the people who prefers love, instead of money and fortune. The theme and narration may include some populist elements -like most Kemal Sunal films- but generally tells its story as well. The story is familiar to Turkish audience: A young man loves young girl. In most Turkish love films one of the partners is rich or poor according to the other but in this movie both sides are poor and they have many difficulties to reach happy end. In my opinion, these kind of movies always gives hope to people to get over it.
It is a comedy of stubborn people who initiate a judicial process which would last 7 years because some sheep ate a few cabbages.
The love between a man wanted by the gendarme and a woman who hid him.
The story of a man who learns that his friend, whom he loves more than his life, is the enemy he was looking for to kill.
