Acting
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Helena and Álvaro fall in love, but she marries someone else. Years later, they meet again and Helena becomes pregnant, but keeps it a secret because Álvaro is now the one who is engaged.
The story of a mother and daughter with opposing views on the path to success in life takes the audience on a contemporary journey about character, ethics and honesty.
Helena is an independendent woman with strong emotions. More than a dedicated mother, she is also a friend to her daughter. Her daughter is experiencing difficulties in her marriage with Marcelo because of his renewed interest in a formoe girlfriend. Marcelo‘s mother deslikes Helena and would like nothing better to see her son‘s marriage destroyed. Helena starts her life over again when she falls in love at first sight with Atilio, whom she marries. Although of poor health, her daughter wants to have a baby, believing that by fulfiling her husband‘s dream, she can save her marriage. As fate would have it, mother and daughter fall pregnant at the same time, each giving birth to a boy.
Marked by tragedy, Feliciano Júnior returns to Tubiacanga as Raimundo Flamel, driven by the desire to avenge the death of his parents.
"Crossed Paths" tells a history about seven friends who met in their youth at an English course meet again 25 years later; Lara, Taís, Helena, Adriana, Renée, Natália and Carol, each of them has a different personality and origin, but they share a deep affection.
An orphaned young man raised in the wild by an indigenous shaman is found by his grandfather and returned to his estranged family, where he finds himself as heir to their wealth.
The plans of the young couple Daniel and Clarice are thwarted by Vitor Lopo Jr. He orders the kidnapping of the couple's newborn daughter, Mariana, who ends up living with Pestana and Elza—a pair who have kidnapped other children as well. Among the children kidnapped by Elza and Pestana is Joãozinho, the son of Joana and Felipe Marinho. The plot takes major unexpected turns.
Antônio is on his deathbed after helping a Black man escape his own father's plantation. Before dying, Antônio asks his father, Judge Queiroz Antunes, to raise the young enslaved boy, Bento, as his own son.
It tells the story of Chiquinha Gonzaga, a revolutionary musician who marked the history of music in Brazil, and challenged the social standards of her time. Chiquinha was raised very comfortably and had an excellent education provided by his father, Jose Basileu, who expected his daughter to be a lady of the imperial court. But after listening to songs played in a black yard and influenced by friends, such as composer Joaquim Callado, Chiquinha begins to make compositions mixing polka and lundu. By imposition of her father, Chiquinha is forced to marry Jacinto, with whom she has three children. However, Jacinto forbids her to play, and she decides to separate from her husband, going against social standards. Chiquinha, then, fights for his freedom to play and will live with the great love of his youth, João Batista de Carvalho Jr., with whom he has a daughter, Alice.
In a small town in the State of Minas Gerais, Brazil, two sisters meet again after years apart.
The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. Claudio sees Helena as a shopper and "little teacher of a choral" and Helena sees Claudio as an insensitive and rough man. On the night before the fiftieth anniversary of Claudio, they changed places with each other.
A man who grew up an orphan finally gets to meet his father: The psychopath Dr. Josef Mengele, the Auschwitz surgeon who performed genetic experiments on concentration camp refugees during WWII.
This biopic documents the life and work of one of Brazil’s most prolific artists: Milton Gonçalves. This actor and director are credited with more than sixty television titles, seventy movies and twenty plays. Known from classic full-length features like Macunaíma, They Don't Wear Black Tie and Kiss of the Spider Woman, his dramatic versatility also encompasses major Brazilian soap operas, including O Bem Amado and Roque Santeiro. With his talent, he overcame barriers faced by many Black performers in Brazil. An active on-screen and on-stage presence since the 1950s, his name is synonymous with the history of Brazilian television, theatre and cinema, making him a landmark talent in the performing arts world.
