Edvards Mikāls

Luna begins a new chapter of her life, overwhelmed by doubt in an unfamiliar home. Her first morning becomes a reflective journey into childhood memories, particularly her complex relationship with her mother. These reflections reshape her identity, prompting her to question her understanding of love, family, and herself. As Luna navigates the unknown with optimism, the uncharted blends with the familiar, challenging her perceptions.

Suddenly, Peter, sitting in his tractor, wins a radio competition for a potato variety. He turns his back on his wife and rides the tractor into town to collect his prize. Peter's journey becomes more important than the original destination - it resolves his relationship with his wife.

Ludis wakes up in the lift and has completely lost his memory. He is forced to watch an informative video which tells him that he is dead and will soon end up in a post-mortem waiting room where he will have to spend some time alone until the last person who remembers Louis has forgotten about him. As the video promises, "There is nothing to worry about, because this waiting time will be pleasant and pass without a notice!" But when the lift opens, it's a very different view.

It's 1985, and Latvia is still under the Soviet occupation. Haralds Mednis, acclaimed Latvian choral conductor, is expelled from participating at the National Song and Dance festival, and a symbolic Latvian song "Gaismas pils" ("Castle of Light") is excluded from the programme of the festival. However, the choirs and the public shout out Haralds Mednis's name and try to get him to conduct "Gaismas pils", in spite of the censors. This film is an attempt to imagine what the people working for the state apparatus tasked with oppressing any rebellious actuons might have felt at that moment back in 1985.

Robis is walking home from the shop late at night, enjoying some time with himself, but is interrupted by a phone call from his girlfriend Sabine. Meanwhile, a suspicious man mistakes Robis for a policeman.

A glimpse into the everyday life of contemporary Latvian car enthusiasts through the experiences of two young people. Maksis is determined to pass the technical inspection of the Jigig, which he has been trying to restore for years. Pauls has bought another BMW e36 and plans to use the legendary model to enjoy the lifestyle of a proper Bembist. The film places the viewer in real situations and interactions between similar young people, creating a collage of fragmented experiences and revealing the beauty, tension, love and fun of the automotive world.