Camera
Based on Jaan Anvelt's novel "Outlaws" which deals with the struggle of the Estonian Communist Workers' Movement and the life of revolutionaries in the Republic of Estonia in the 1920s. The film represents the maturation and decay of human soul in tense situations. The dark intersections and the dense, abandoned areas create a tumultuous tension field in which the characters find themselves. Their choices and decisions overwhelm them in one way or another. Where is the way out?
Mermaids and humans have crossed paths throughout millennias.Their generally peaceful coexistence is described in naiadological literature, as well as in the folklore of many nations. Our mermaid people are poetic and mysterious - we meet these gentle and femininely charming creatures in nature and in the everyday life around us. The film follows the principles of scientific lyricism, and takes the viewer through the history of naiadology and introduces the main types of mermaids. The mermaids were captured in beautiful places in Estonian waters.
The physionomy of a city through its people.
On October 17, 1993, local government elections were held in Estonia. The film takes the viewer to Antsla, a small town in Võrumaa, where more than a third of the population is retired. All this is a mirror of Estonian life, from which tensions, pains and worries, few joys and high expectations face society. The old laws are no longer valid and the new ones are not yet rooted.
Three lyrical short stories: about locksmith Toomas, captain Hermann and gardener Ferdinand. Three different areas of life and fate, but a common longing for beauty.
Young people spending time in a bar in Tallinn. Documentary with an artistic attempt to interpret the passage of time, the value of the moment.
The artist's creative moments and everyday life. Another serigraph - "Võrumaa IX" will be completed within one month.
Mark Soosaar's documentary essay on Eduard Wiiralt - a satanic clairvoyant and angelic artist, as he was described in Le Courrier Graphique magazine in 1937 by critic Pierre Mornand. It's a portrait of Eduard Wiiralt through the eyes of his female models. The camera travels around Estonia, Lapland, Paris and Morocco. Not all models can be found, but the thoughts and spirituality that accompanied the artist can be found.
