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Dolly Tree

Costume & Make-Up

Biography

From Wikipedia, the free encyclopedia Dolly Tree (17 March 1899–17 May 1962) was an English illustrator, actress and costume designer who during the 1930s and 1940s designed dresses for Myrna Loy, Jean Harlow, Rosalind Russell, Maureen O'Sullivan and Judy Garland among others in addition to costuming historical dramas such as David Copperfield (1935) and A Tale of Two Cities (1935). Born in Westbury-on-Trym in Bristol in 1899 as Dorothy Marian Isbell, the daughter of Charles Edwin Isbell (1863-1942) , a solicitor, and Bertha Marian (née Keith-Williams) at an early age she discovered an aptitude for drawing before being drawn towards a career on the stage. In 1912 her family relocated to London and she began her career as an artist after seeing the play Vanity Fair at the Palace Theatre in 1916. Of the play she later wrote, ‘I was fascinated by the wonderful dancing and art of Regine Flory and admired her so much that I started to design a special poster of her, really to amuse myself, based on my recollections of this vivid artist seen across the footlights.’ A friend took her drawing to Sir Alfred Butt who bought it and gave her a two-year contract (c1917-1918) to design posters and programme covers for of all his shows including The Boy (1917), The Beauty Spot (1918), Going Up (1918), Telling the Tale (1918), The Latest Craze (1919), The Kiss Call (1919), Very Good Eddie (1919) and Hello America (1919). Her comic illustrations also appeared in various British newspapers and magazines. Between 1915 and 1918 Dolly Tree appeared in five British silent films as an actress. In the United Kingdom her career as a costume designer began in the 1920s on various cabaret shows in London in particular; in 1923 she collaborated on her first film, Woman to Woman, directed by Graham Cutts and with Alfred Hitchcock as the co-screenwriter, artistic director and assistant director. Her work became popular in Paris where she became the first English person and the first woman to design for the Folies Bergère. In 1926 she moved to the United States, first working in New York where she created the costumes for the 1928 Broadway play Diamond Lil starring Mae West. She then went to Hollywood where she was involved in designing for 175 American films, firstly for Fox Studios (1929-1931) and then for Metro-Goldwyn-Mayer (1931-1942), mainly as a designer of dresses, among others alongside Adrian. In 1931 while working at Fox Studios she met and married the American Naval officer Thomas Kimes. Although the marriage was a happy one but his career in the Navy kept them apart and they divorced in 1940. After her divorce Tree began to drink heavily which lead to her leaving MGM in 1942 and returning to Fox Studios where she married her second husband Don E. Whiteford. However, this marriage also did not work and they quickly divorced, which drove Tree further into alcoholism. Her second divorce, her heavy drinking and the death of her father in 1942 lead to her becoming increasing unreliable and losing her job.

Known For

The Thin Man
7.5

Former detective Nick Charles has retired from police work, preferring a life of cocktails, parties, and relaxation with his wealthy wife, Nora. Their holiday is interrupted when the daughter of Nick’s former client asks for help finding her missing father, eccentric inventor Clyde Wynant. When Wynant’s body is discovered, Nick is drawn back into the investigation, with Nora eagerly joining him. As the couple questions Wynant’s family, friends, and business associates, a tangled web of greed, deception, and murder begins to unravel. Directed by W. S. Van Dyke and adapted from Dashiell Hammett’s novel, The Thin Man combines witty dialogue, sophisticated comedy, romance, and classic mystery. William Powell and Myrna Loy are perfectly matched as Nick and Nora Charles, whose playful banter and effortless chemistry made them one of Hollywood’s most beloved screen couples. This stylish 1934 mystery remains a landmark of classic American cinema.

The Thin Man

1934Movie
Another Thin Man
7.1

Nick and Nora Charles are back—and this time, they have a baby, a wealthy new client, and another murder to solve! Retired detective Nick is enjoying family life with Nora and their young son, Nick Jr., when eccentric industrialist Colonel MacFay asks for protection after receiving threatening messages. When MacFay is found dead at his isolated estate, Nick and Nora spring into action, questioning a houseful of suspicious guests and uncovering greed, blackmail, family secrets, and a dangerous inheritance plot. With their trademark wit and sophistication, the glamorous couple balances parenthood, parties, and peril as they race to expose the killer. William Powell and Myrna Loy return as Hollywood’s favorite married sleuths, joined by the lovable wire-haired terrier Asta. Directed by W. S. Van Dyke, Another Thin Man is a stylish and entertaining 1939 mystery-comedy filled with sparkling banter, romance, suspense, and classic Nick-and-Nora charm.

Another Thin Man

1939Movie
After the Thin Man
7.3

Nick and Nora Charles are back—and this time, their holiday takes a deadly turn! After returning to San Francisco, the sophisticated couple is drawn into the disappearance of Nora’s cousin’s husband. When he is found murdered, suspicion falls on the troubled family, and Nick reluctantly resumes his detective work. With Nora eagerly at his side, the pair follows a trail of jealousy, blackmail, secret relationships, and long-buried family scandals. William Powell and Myrna Loy sparkle as Hollywood’s most charming married sleuths, trading witty banter while unraveling a dangerous mystery. Directed by W. S. Van Dyke and written by Frances Goodrich and Albert Hackett, After the Thin Man delivers everything audiences love about the series: romance, comedy, suspense, elegant settings, and the irresistible return of Asta, Nick and Nora’s mischievous wire-haired terrier. This stylish 1936 sequel is a delightful blend of mystery and sophisticated fun.

After the Thin Man

1936Movie