Writing
Stefan Themerson plays himself in the role of a poet who accuses political and religious leaders of stealing the tools of his trade. His goal is to expose the demagogues as thieves. A researcher launches an investigation and discovers that the poet is unwilling to take back hidden contaminated tools. He (the poet) has devised a method to reveal the reality behind the poem. He wants to strip the words of their associations, sever their ties to the past, scrub them clean of their dictionary definitions. He calls his method Semantic Poetry.
Residents of the same street in Haarlem, and acquaintances and relatives of Kees Hin, together tell the story of Little Red Riding Hood, each in fifteen words.
When Laura was six, her parents got divorced and her father disappeared from her life. The happiness she experienced on her final journey with her father, when he danced with her at a flea market in Brussels, holds a special place in Laura's memory. When Laura finds the shadow puppets her father once bought for her in the attic, these open up a portal to the past for her.
Kees Hin’s acclaimed depiction of Berlin in the 1930s. On the basis of recollections recorded on video, Kees Hin and K. Schippers created a ‘theatre of memory’ where former residents of Berlin look back on the downfall of that bustling metropolis and the rise of Nazism, which led to them fleeing.
