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Bereft of earthly memories, a new arrival in the afterlife struggles to recover the past, in this poetic fantasy that offers a dark reflection on personal atonement in the shadow of Kenya’s violent past. Imagine waking up one day in a barren wasteland. Amnesia leaves you clueless as to your whereabouts, your identity, and how you arrived. A small group of strangers welcomes you to a nearby oasis resort, and they reveal to you the nature of this new reality. You are dead. And this is the afterlife. This is what happens to Kaleche (Nyokabi Gethaiga) in the enigmatic opening sequence of Kati Kati, writer-director Mbithi Masya's poetic first feature film.
Gisela is a young wife and mother, living in a working class German Housing Scheme. She is a supermarket cashier, her husband a delivery driver. The marriage is stale but together they are working their way up into the middle class. George and Gisela evidently knew each other as teenagers. They live on the same scheme and George introduces her to his friend Paul. There is instant mutual attraction. Gisela spontaneously goes to a party that they invite her to that evening, where she and Paul begin a sexual relationship.
Against the backdrop of New York's dazzling fashion scene, a woman in the process of transforming herself from a model into a designer is forced to live with her husband's ex-wife when he disappears without a trace.
Jamie and Christian are giving their marriage one last shot for the sake of love and their young son, Dylan. But when Christian proves unable to hold up his end, forces both within and outside their relationship will decide their future.
The student Jan gets along better with animals than with people. The shy young man is particularly fond of snakes, some of which he keeps at home. The two fall in love when he meets the radical animal rights activist and environmental activist Alice at his university. Jan's life then begins to change suddenly. He is overwhelmed by his intense feelings and social life with Alice. From then on his perception begins to become distorted. Jan feels like she has to take active action against various threats. Although Alice supports him, he loses himself in his madness and love for her.
In a German town, teacher Irene leads an inconspicuous, boring, lonely life. One day, a man rings at her door and slips in. It's an armed convict from the prison next door, escaped with a leg wound. He now makes her a prisoner in her own home. Almost without a word, as if she secretly enjoys the excitement or just mesmerized, she obeys Vassily, every single command, even sexual services, submissively or after a symbolic struggle. Somehow that seems to change, but can force initiate love?
Amina wants to reconcile with her dying husband. When his younger former lover arrives to save him and get back together with Manda, Amina plans to stop the woman in her tracks.
