Rita Rocha Silva

Patricia died mysteriously at a party, suddenly all of her friends are connected within "The_List" where they need to make tasks to accomplish what Patricia dreamt.

A collection of six distinct stories drawn from a rich and extensive body of folklore that narrates Iberian mythology. This epic series weaves a tapestry of myths and tales while tackling fantasy, horror, humor, and drama.

Lucia of Fatima takes us back to the beginning of 20th century, allowing us to trace the whole journey of the girl behind the religious figure. During her childhood, the Fatima prophet was arrested, submitted to cruel interrogations, taken away from her family and denied the right to her own identity. Lucia resisted it all and kept her story alive. She was the guardian of the secret.

The misfortunes of Sofia, the exemplary Madalena and Camila, the troubled vacations of girls and boys, a few years later leading to the resolution of some mysteries, form the perfect trilogy by the Countess of Ségur on education, social, religious, and political power. Desire and its oppression, violence and punishment, in short, the terrible loss combined with inevitable growth. Both adults and children will understand that precepts, rules, and prayers can tear nerves and blood apart.

An actress without a job, an artist who struggles to paint and a marketing student from Coimbra. These three young women together, their financial difficulties and existential doubts. Living on a small apartment in Lisbon, they see themselves as allies (most of the time) on the great battle of building their lives. They must share their personal space, food, issues and all kind of awkward situations that life brings upon them.

Half a century of dictatorship came to an end on April 25, 1974. The main protagonists, and the unfolding of events, are duly and meticulously portrayed. But hundreds, perhaps thousands of episodes of tension and fear, courage and adrenaline, pain and loss, fury and dreams were experienced by anonymous citizens during the intense hours that changed the country.

Pavese considered Dialogues with Leucò his best work. Eloquent and at the same time sententious and fragile, but implausible among humanized gods, demigods, heroes, and other pagan figures of Greek mythology, who question, through the imaginary of myths, the society of contemporary man. Out of a time and a certain space, and thus, and like all myths, always current.

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Organized like a dream, structured like a musical and with texts, both spoken and sung, that lead us to unexpected, chaotic and exciting situations, which try to grasp part of what the unattainable Alexandre O'Neill left us.

Idling afternoons, drugs, heartbreaks, psychedelic moods immersed in music. An adrenaline rush. Lisbon as the backdrop for a drifting youth.

In 1918, Maria Adelaide Coelho da Cunha, heiress and owner of the Diário de Notícias, leaves the social, cultural and family luxury in which she lives to escape with a petty chauffeur, 26 years younger.

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At an abandoned chapel a teenager gives herself to a boy, unsuspecting of what's lurking in the shadows.

Peri works as a debt collector for a loan shark in downtown Rio de Janeiro. One day, after making a serious mistake at work, he is sent out of Brazil. It is during his journey to his new country, Portugal, that he meets Abgail, a woman who helps him calm down. In Lisbon, Peri starts working for “The Tailcoat Collector”, a curious debt collection company whose job is to follow debtors dressed in tailcoats, intimidating them into paying their debts. Peri is always very successful until the moment he is called to collect from Abgail, the woman he met on the plane and with whom he will fall madly in love.

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The fascination with the last inhabitant of a remote village leads young Bia down unexpected paths and reflections.

Daniel, a high-school teacher, receives a disturbing video in his cellphone. At school, he discovers that one of its students is responsible for the video. Daniel decides that he must suffer the consequences of his actions...