Gabriel Díaz

A desperate banker needs to conceal stolen money. A Haitian-American gang lord wants to go legit. A Cuban-American hacker has an idea that will revolutionize the very future of money itself. Forced to work together, they unwittingly create their version of the American dream - organized crime 2.0.

Four men become fugitives after a failed drug deal, running from north to south of Chile.

Sergio Jadue, a lowly director of a small-town soccer club in Chile, unexpectedly finds himself at the head of the Chilean soccer association. Drunk with power, he becomes the protégé of soccer godfather Julio Grondona, as well as the FBI’s key to undoing the largest corruption scheme in the world of soccer.

A veteran journalist starting a news site about corruption in Chile stumbles on a big story when a fellow investigative reporter dies suspiciously.

It all begins at a party in Santiago, Chile, when a seemingly innocent gesture -- the offer of a ride home -- ends in a passionate night of lovemaking and intense conversation for young singles Bruno and Daniela. Shacked up at a flea-bitten motel for a one-night stand, the pair lingers deep into the night, alternating between powerful physical encounters and an ever-deepening emotional connection.

A child disappears from his parents sight in a mysterious but haunting forest after a punishment.

In 1988, Chilean military dictator Augusto Pinochet, due to international pressure, is forced to call a plebiscite on his presidency. The country will vote ‘Yes’ or ‘No’ to Pinochet extending his rule for another eight years. Opposition leaders for the ‘No’ vote persuade a brash young advertising executive, René Saavedra, to spearhead their campaign. Against all odds, with scant resources and while under scrutiny by the despot’s minions, Saavedra and his team devise an audacious plan to win the election and set Chile free.

Daniela, raised in the bosom of a strict Evangelical family and recently unmasked as a fornicator by her shocked parents, struggles to find her own path to spiritual harmony.

Stories centered on relationships from a sexual point of view.

A filmmaker facing an existential crisis goes on a vacation to a Mexican gay nudist beach, where he meets a social media celebrity who convinces him to collaborate with him on his new TV show. But one disappears and another embarks on a wild journey through Mexico City to find him.

It's Easter in the beach house of a Chilean well-to-do and nowadays family. A self-centered and successful father, a disoriented mother and a son overshadowed by his successful father. The three of them, wait for the arrival of the son's first official girlfriend; a disturbing and rebellious young lady who will invade the house with her powerful sexual load and other "gifts", breaking loose an emotional cataclysm with no stepping back.

"Mother" stands out on the front of her black t-shirt, "Fucker" on the back. And as angrily as these words sound when combined into a curse, is how Antonia behaves. Because she is pregnant, and Victor, who slept with her, is getting married in a few hours to Blanca.

Just like in 1985, today Ignacio Agüero is back interrupting filmmakers during shooting, but not to ask what he did thirty years ago, but to find out what is purely cinematographic in what they film. These conversations are related to images in the director's personal archive, as if what is truly cinematographic was found among bits that were never made for the screen.

Isidora, an old woman, discovers that her mind is quickly deteriorating. At an apparently relaxed dinner table, she will desperately try to hide her state from her daughter, a demanding woman who awaits any sign of senility in order to take way everything she has.

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Stories from the intimacy of a private space launched to the screen. How we are as mothers, as fathers or as children. Stories of pain, of hope, of love, or of facing that which was never faced. Disturbing testimonies, but also full of humanity. Crises make us reflect and leave a record of who we are, in case we cease to exist. Visual notes that make up a film about our being and what we say when all certainties collapse.

No Place in Anywhere can deal with many issues. It is a personal journey through image and time. It is the portrait of the "La Matriz" neighborhood in Valparaíso. It is the encounter between reality and fiction. It is the constant search to find a truth within the documentary. It is a musical rehearsal. It is the constant preparation of a documentary. It is a documentary of questions more than answers. A silent face, an empty road, a winter landscape, the wind moving the leaves of a tree, a wall, the sea, the street of a neighborhood, all of them intend to "create through the record" a unique truth for each viewer.

Gaspar is a young, lonely cinematographer. Unable to deal with his sister and sick grandfather he spends his time with Susana, an actress working on a opera. When he meets Alvaro, an idealistic traveler, Gaspar's life changes. They embark on a adventure that help them unearth the fragility and value of human existence

The house of the director has a door out to the sidewalk. This gate separates the inside from the outside. The interior contains the filmmaker's personal story and his world of objects, thoughts and imaginations. Outer space contains the city of Santiago de Chile. The stories of the world inside the house are interrupted when the doorbell rings unknown and thus come into the film.

No description available.