Naruhiko Onozawa

During a militant attack on an airport, the hand grenade of 'M', one of three terrorists, malfunctions, leading to him being captured and held indefinitely in prison. Exposed to mistreatment behind bars, he slowly loses his grip on reality as he is forced to confront his ideological convictions.

A wordless man stages an unexplained hunger strike and the people surrounding him exploit his silence to further their own cause...

The first in a planned series of films about radical filmmakers by film critic Nicole Brenez and filmmaker Philippe Grandrieux, It May Be That Beauty Has Strengthened Our Resolve is a portrait of Masao Adachi, who emerged during the Japanese New Wave of the 1960s as a screenwriter for Nagisa Oshima and Koji Wakamatsu, and directed a series of avant-garde films that grafted radical politics to the sexploitation genre. A 1971 visit to a Popular Front for the Liberation of Palestine (PFLP) training camp while on the way back from Cannes resulted in Adachi's most infamous film, the agit-prop documentary Red Army/PFLP: Declaration of World War, which he co-directed with Wakamatsu. Soon after, Adachi joined a splinter cell of the Japanese Red Army in Lebanon, where he stayed from 1974 until he was deported to Japan in 1997 to serve time for passport violations.

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The United States celebrates its bicentennial. The film depicts the history of a rebellious nation that has been overshadowed by the authentic history of the U.S., including slums, Vietnam veterans, incarcerated Nikkei, and indigenous peoples.