Francis Girod

Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.

A talk show presented by Michel Drucker

Commercial director Serge Faberge is having an affair with Evelyne, the 18 year old fiancee of friend Hugh. His own pregnant wife Francoise usually does not mind his dalliances, until he actually walks out on her and their newborn baby to move in with Evelyne. The shoe is on the other foot when dashing stuntman Dado catches Evelyne's eye in Venice.

A banker hires a seedy detective to find his daughter and keep her safe from kidnappers.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

The marriage of the famous writer Alan and his young wife Lola is in a crisis. On a vacation in Haiti Lola wants to decide if their relationship still has a future...

Bo is a transexual prostitute in Brussels who left home after being abused by her father. She's infuatuated with a neighbor and suspected by the police in a series of transexual murders. In order to clear herself she must turn detective.

Ambitious Emma Eckhert successfully makes her way into a world previously reserved for men: that of high finance. She quickly becomes popular with small savers, but leads a scandalous life that will cost her.

"René la Canne" was the second collaboration between Francis Girod and Ennio Morricone, coming after "Le Trio Infernal" (1974) and before "La Banquière" (1980). His film is an adaptation of a story by Roger Borniche about the gangster René Girier and relates the fantastic adventures of a flamboyant mobster (René/Gérard Depardieu) and a maverick police inspector (Fernand la Sournoise/Michel Piccoli), through the 1940s.

In Paris, Lulu, a passionate policeman, works with the faith of a rookie, despite the sclerotic bureaucracy and the incompetence or negligence of some of his colleagues. In his new position as a narcotics inspector, he tries to keep his sanity as he witnesses the worst of the human condition.

Renee Saccard is a pampered, selfish young wife of a middle-aged Parisian businessman who falls in love with her stepson but is driven to the point of madness when her husband tricks the stepson into betraying her.

A compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean Luc Godard and Anne Marie Mieville's film concerns the plight of Thomas Wanggai, West Papuan activist who has since died in prison. The short films were commissioned by Amnesty International.

On 9 January 1836, Pierre Lacenaire goes to the guillotine, a murderer and a thief. He gives Allard, a police inspector, his life story, written while awaiting execution. He also asks Allard to care for Hermine, a lass to whom he has been guardian for more than ten years. In flashbacks, from the prison as Lacenaire writes, from Allard's study as he and Hermine read, and from other readers' memory after the book is published, we see Lacenaire's childhood as he stands up to bullies, including priests, his youthful thieving, his first murder, his brief army career, his seduction of a princess, and his affair with Avril, a young man who dies beside him.

Antonin is a young French soldier who returns home from World War I to recover from his wounds. When he falls in love with a young widow, Antonin questions his role in battle and contemplates desertion as he recalls the horrors of war. He is pressured by his patriotic father to honor his military commitment even if it means he will die.

Two members of the French Academy agree to help the attractive young veterinarian Esther investigate the suspicious death of her sister. Esther is convinced her brother-in-law is responsible, but soon it becomes apparent that those responsible are linked to the very highest echelons of power in the Vatican.

Claire's handbag is stolen. It contained a letter written ten years previously by the man who is now the French President. In the letter, he urges his pregnant mistress to have an abortion. Claire immediately alerts the President's men. From that moment, the machinery of state swings into action.

Marseilles, 1919. Georges Sarret is a distinguished and respected lawyer, recently honoured for his services in the First World War. He takes as his lover Philomène Schmidt, a young German woman, who has just lost her job and home. To enable Philomène to remain in France, Georges finds her a husband – who dies conveniently of natural causes a month after the wedding. Georges repeats the trick with Philomène's sister, Catherine – marrying her off to an old man who dies suddenly so that the scheming trio can profit from his life insurance. When an accomplice in the scheme, Marcel Chambon, threatens to blackmail them, Georges and his two lovers have no option but to kill him and his mistress...

L'Etat Sauvage is based on the novel by Georges Conchon which won the highly esteemed Prix de Goncourt. The story chronicles the mindless racism of both the departing French colonial overlords and the emergent black Africans in a newly emerging African state. Laurence (Marie-Christine Barrault) suffers the outrage of her white acquaintances, including her former lover Gravenoir (Claude Brasseur) and her ex-husband Avit (Jacques Dutronc), for her affair with Patrice Doumbe (Doura Mane), an official in the new government. He in turn is ridiculed by his fellow cabinet ministers for stepping out with a white woman. The vilification escalates to such a point that Patrice is brutally murdered, and Laurence barely escapes the country alive, with the help of her ex-husband Avit.

"Julien Rossi wakes up in a hospital bed and finds he has no memory of the events that left him in a coma in the early hours of New Year's Day. Was he attacked? Or was his head injury caused in an accident? This is only the first of many mysteries Julien has to resolve. Who is Marl?ne, the beautiful woman who claims to be his girlfriend? Why doesn't his real girlfriend, Anna, return his calls? What made him walk out on his job as a leading investigative reporter? Julien relies on Lucas, his best friend and

In this "inside look" at French filmmaking, Marechal - who is a has-been director - a producer, Vito Catene and Camile Dor, a big-name actress, have agreed to make a film about drugs, but don't have a story, financing, or any of the other elements needed to make it. This doesn't stop them; they cobble together the financing and begin shooting anyway. The producer is very fond of the leading actress, and when she gets hooked on drugs for real in the course of shooting what he feels to be a farcical imitation of a film, he gives up his shares in the film and heads off for the back of beyond (Zanzibar) to lick his wounds. To add insult to injury, the film winds up being a critical and commercial success.