Alex Del Río

Rafael is a poet who lives with his best friend, has a sad job in a gray office and a wornout relationship. The city is collapsing due to a heat wave that makes adults feel sick, but also gives them the opportunity to feel again.

A young man from Buenos Aires, rebellious and dispossessed of the system, finds himself dragged into a conspiracy that only he can unravel. His urban odyssey explores the limits of the night, the banalities of being and an anguished emptiness that has him disturbed.

El tercer paisaje / The Third Landscape is a film project that has as its protagonist the fungus that made the painted forest of Oma sick, the work that the Basque artist Agustín Ibarrola carried out in the 80s in the province of Bizkaia. This artwork belongs to the Land Art movement, which is mainly characterized by its ephemeral nature. Within this current, artists leave their works exhibited at the mercy of weather conditions and other elements alien to human will.

Miren Felder died on top of a snowy mountain after a plane crash in 1977. The director discovers secret messages from her grandmother in photographs taken by her military grandfather and offers herself as a medium in a ritual to communicate with her.

No description available.

The tallest tree in Donostia is an 86-meter-high American sequoia that is located next to the Aiete Palace, a property linked to the monarchy and power. In its 150 years of life, this sequoia archives important historical events in its memory.

Short pieces including images taken with a mobile phone, personal photos and found material. Everyday incidents, childhood memories, portraits of friends, travel chronicles, readings and songs: diaries.

A strange weapon of optical complexity is able to project an enormous dazzling light over the territory. Precisely aimed, the ray can cause the spread of colossal heat, enough to destroy everything. The night is extinguished, the earth burns, the creatures run away groping towards the depths of the world. In the dark holes of the earth the space expands enough to imagine a refuge where another imaginary may appear.

When her parents are forced to rent out the apartment where she lives, Dafne lies about adopting an injured dog to avoid moving. Keeping up the lie will force her to take her first step into adulthood.