Directing
Las Indomables await with anxiety the start of a neighborhood women's soccer tournament. During the wait all kinds of events happen, love, conflicts, politics and even a rain, stalk the passion for which they are there: Play football at all costs
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Emi lives with his adoptive parents in the suburbs of Buenos Aires. He is trying to find a job to cover his expenses and, at the same time, beginning a search for his biological parents. Over time, he will find work at a repair shop and start associating with both his employer and his family. However, this is no coincidence.
On a bustling footbridge separating Argentina and Paraguay, where people traffic all kinds of things in a mix of Guarani and Spanish, we meet Angel. Over the course of the next ten years, Angel will have to make decisive choices for his future.
Nina is a young woman of 20 years old who lives in Asunción in 1947 in the middle of the Paraguayan Civil War. She longs to be a singer, but is forced to work as a maid in a conservative environment after her family escapes. Although, she puts herself at the service of the revolution and frees various political prisoners, including Raúl with whom she will have an affair. However, she must flee the country after becoming pregnant and her lover having abandoned her.
Paki and Piro seem to be travelling or escaping. They lose their money and see no other option than to sell their things and find another refuge. In their attempt to continue with their plan, their relationship is put to the test and the contradictions become difficult to avoid.
In this genre-hopping road movie from Daughters of Fire director Albertina Carri, Violeta, the director of an amateur lesbian porn hit, is invited to make a mainstream crossover. With a budget and cast, but no firm idea where to go, the crew head off on a road trip in search of their perfect film.
Set in a community of project houses, Iris, a young woman with a tough past, meets Renata and feels immediately attracted to her. A tender coming of age story about friendship and first love in a hostile environment.
The audiovisual shows the perspective of the sister of Tamara Salazar, a victim of femicide in Corrientes. María, that is her name, describes one of the protests in front of Criminal Court No. 1 of the City of Corrientes. There he had managed to circumvent the police fence with his cousin and his nephew. Between laughter and questions, her voice traces a dialogue where she questions the actions of the forces, while demanding against the acquittal of her sister's murderer.
