
Christine Pascal
Acting
Biography
Christine Pascal (29 November 1953 – 30 August 1996) was a French actress, writer and director. Born in Lyon, Rhône, Pascal made her film debut at 21 in Michel Mitrani's Les Guichets du Louvre (1974), and began a working relationship with Bertrand Tavernier in her next film, L'Horloger de Saint-Paul (1974). Other films with Tavernier include Que la fête commence (1975), for which she received a César nomination for Best Supporting Actress; The Judge and the Assassin (1976); Des enfants gatés (1977), which she co-scripted; and Round Midnight. Other film appearances include Black Thursday (1974), La Meilleure façon de marcher (1976), The Maids of Wilko (1979), Entre Nous (1983), and Le Grand Chemin (1987). She made her directorial debut with Félicité, and also directed La Garce, Zanzibar, Le Petit prince a dit (which won the Louis Delluc Prize) and Adultère, mode d'emploi. Source: Article "Christine Pascal" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Known For

Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.
Spécial cinéma

A talk show presented by Michel Drucker
Les Rendez-vous du dimanche

Inside the Blue Note nightclub one night in 1959 Paris, an aged, ailing jazzman coaxes an eloquent wail from his tenor sax. Outside, a young Parisian too broke to buy a glass of wine strains to hear those notes. Soon they will form a friendship that sparks a final burst of genius.
'Round Midnight

Louis, a nine-year-old boy from Paris, spends his summer vacation in a small town in Brittany. His mother Claire has lodged him with her girlfriend Marcelle and her husband Pelo while she's having her second baby. There Louis makes friends with Martine, the ten-year- old girl next door, and learns from her about life.
The Grand Highway
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Rendez-vous en noir

Ariel, a young French Jew, decides to leave his family to go to Israel and secretly become an agent of Mossad, the Israeli secret service. After years of training, his first mission is in Paris to steal secrets from Remy Prieur, a French atomic scientist.
The Patriots

In this sardonic comedy, after an executive is killed in a mysterious automobile accident, the French offices of his multinational company is inundated with mysteriously threatening be-ribboned anti-capitalist tracts, delivered overnight to everyone's desks. Later, the executive's body is brought to company offices for an official wake -- only no one at the company has ordered that such a thing be done. A mysterious prankster, who is able to imitate the voice of the company's president, has arranged these things. When Americans from the head office get wind of these developments, they institute a search for the perpetrator which leads to mysterious subterranean passages under the company's skyscraper.
The Accuser

In 1942 in occupied France, a Jewish refugee marries a soldier to escape deportation to Germany. Meanwhile a wealthy art student loses her first husband to a stray Resistance bullet; at the Liberation she meets an actor, gets pregnant, and marries him. Lena and Madeleine meet at their children's school in Lyon in 1952 and the intensity of their relationship strains both their marriages to the breaking point.
Entre Nous

Lyons, France. Michel Descombes is a watchmaker who lives alone with his teenage son Bernard. When the police visit and informs him that Bernard killed a man and is on the run with a girl, Michel realizes that he knew far less about his son than he thought.
The Watchmaker of St. Paul

A middle-aged sales rep drops everything to track down the killers of his cop friend. Two years earlier, an older gambler forms an intense bond with a naive young man, who changes his name to please him.
See How They Fall

An old psychiatrist finds out that he is likely to suffer a second and probably fatal heart attack in the near future. As a consequence he becomes determined to seduce Odile, a young woman he first encounters in a railway compartment.
Le Sourire

A look at 18th-century France, when the depravity of the authorities contributed to social oppression, and the uprisings flared up one after another.
Let Joy Reign Supreme

Successful writer/director Bernard Rougerie is at a creative dead end and decides to isolate himself from his wife in order to complete the script for his next film. Bernard moves into an apartment building whose tenants are in the midst of a revolt against their abusive landlord. Reluctant at first, he joins their cause and then becomes involved in an affair with young, unemployed resident Anne.
Spoiled Children

Hell Train is a French film based on a true story. One evening at a ball in a small town, a fight breaks out in an atmosphere tinged with racism. Three of the ringleaders end up at the police station. The next day, November 14, 1983, on the Bordeaux-Ventimiglia train, the three men who were candidates for enlistment in the Foreign Legion beat Habib Grimzi, a 26-year-old Algerian, before throwing him out of a window. A young woman, who witnessed the murder, alerted the police. The investigation begins in a climate of extreme tension. In the city, provocations and attacks are increasing...
Hell Train

Filmmaker Jean Achache shot extensively on the set of ’Round Midnight. This documentary presents that material for the first time, including footage of director Bertrand Tavernier, production designer Alexandre Trauner, and other members of the cast and crew.
Before Midnight

Nicole is a female attorney who is frustrated with the male-dominated world of provincial law. She embezzles money from a law firm and travels to Paris where she disguises herself as a man in hopes it will make a difference in her life and career. Nicole has two lesbian affairs and becomes a pimp for one of the women. She also has an affair with a man who indicates that he doesn't want a serious relationship. Nicole's loneliness leads her to the affairs as she continues the downward spiral into schizophrenia in this depressing psychological drama.
La Travestie

The life and love affairs of a 12-year-old boy Pierre who lived in France during the Nazi occupation in 1944. We see his family, his chubby friend, the girl who ignores him - and the German defector who hides in the cellar. He suffers from a slightly more prominent nasal appendage than the average of his congeners. This complex initially serving it, will ultimately be the detonator of his success with women and the entire population of the city.
Promised... sworn!

After serving time for sexual assault, a disgraced cop finds work as a private detective and becomes enmeshed in a bizarre web that includes a gangster and his former girlfriend…the same woman who sent the cop to prison years before.
The Bitch

In Paris, in 1942, on a Thursday, the Parisian police herded together some 13,000 Jews for deportation to German territory. In this story, Paul (Christian Rist) is a teenager who tries to prevent this from happening. At first he attempts to save two elderly Jews, but they are resigned to their fate and comply with the order to assemble. For a short while, he is able to keep Jeanne (Christine Pascal) from joining them, but, after a long and strenuous day, she finally escapes from him he is too tired to chase after her.
Black Thursday

In this "inside look" at French filmmaking, Marechal - who is a has-been director - a producer, Vito Catene and Camile Dor, a big-name actress, have agreed to make a film about drugs, but don't have a story, financing, or any of the other elements needed to make it. This doesn't stop them; they cobble together the financing and begin shooting anyway. The producer is very fond of the leading actress, and when she gets hooked on drugs for real in the course of shooting what he feels to be a farcical imitation of a film, he gives up his shares in the film and heads off for the back of beyond (Zanzibar) to lick his wounds. To add insult to injury, the film winds up being a critical and commercial success.