Gustav Diessl

The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.

After a detective is assaulted by thugs and placed in an asylum run by Professor Baum, he observes the professor's preoccupation with another patient, the criminal genius Dr. Mabuse the hypnotist. When Mabuse's notes are found to be connected with a rash of recent crimes, Commissioner Lohmann must determine how Mabuse is communicating with the criminals, despite conflicting reports on the doctor's whereabouts, and capture him for good.

During Napoleon's victorious campaign in Germany, the city of Kolberg gets isolated from the retreating Prussian forces. The population of Kolberg refuses to capitulate and organizes the resistance against the French army, which immediately submits the city to massive bombardments.

A group of German infantrymen of the First World War live out their lives in the trenches of France. They find brief entertainment and relief in a village behind the lines, but primarily terror fills their lives as the attacks on and from the French army ebb and flow. One of the men, Karl, goes home on leave only to discover the degradation forced on his family by wartime poverty. He returns to the lines in time to face an enormous attack by French tanks.

Dr. Johannes Krafft climbs a 12,000-foot mountain over and over again to search for his wife, who was lost on their honeymoon. Another couple makes the dangerous climb with him.

An expedition goes in search of a party lost in the Arctic a year earlier.

The central character of the play, Fedor Protasov, is tormented by the belief that his wife Liza has never really chosen between him and the more conventional Victor Karenin, a rival for her hand. He wants to kill himself, but doesn't have the nerve. Running away from his life, he first falls in with Gypsies, and into a sexual relationship with a Gypsy singer, Masha.

Neglected by her husband, an ambitious lawyer, Irene seeks variety in Berlin's nightlife-- An evening of dancing, dolls, cocaine and immoral passion. Irene takes the "devious path" as she seeks to make her husband jealous.

No description available.

After the events of Der Tiger von Eschnapur, Maharadscha Chandra is ready to execute his well-planned vengeance, in which German architect Peter Fürbringer, his fiancée Irene and his assistant will have to fight for their lives amidst a revolt fueled by traitor Prinz Ramigani.

This is a real curiosity; at best a reasonable film, but also a charming little gem. There is a story (in the line of "A Star is Born"), but this merely serves as an excuse, as it is more importantly a kind of moving encyclopedia of about 35 stars making their debut in a talkie (although some of them had already made one talkie), of the technical sound possibilities and of film making. Besides all that, it is entertaining and sometimes hilarious and it has fine one-liners that split my side. The film is also remarkable for making mock of typical German film genres (like the overly sweet romances involving the military), of too heavy acting and of film making in general. I have to mention this one: a short, hysterically funny parody of "Der blaue Engel". What this film in fact says is: do not take any film too seriously. (J. Steed)

In this mythical fantasy, the evil queen of Atlantis lives in a magnificent palace, the halls of which are filled with the mummified remains of former lovers.

Two young officers, Saint-Avit and Morhange, get lost in the desert and find themselves prisoners of the beautiful Antinéa, queen of the city of Atlantis. Saint-Avit, blinded by his love for her, obeys her when she orders him to kill his comrade... With L’Atlantide, Pabst offers a psychoanalytic reading of Benoit’s novel, with a dominant female figure who enslaves her lovers before destroying them. The film’s fantasy dimension is disturbing, L’Atlantide bathes in a humid nightmare atmosphere, between the desperate search for a missing friend and the apparitions of an underworld lost in the desert. A long, discursive flashback suggests the Parisian origins of Antinéa, born from the marriage between Clémentine, a pretty, light-thighed French Cancan dancer, and an Arab prince seduced during a theatrical performance. But again, it's impossible to know whether these are the ramblings of an old alcoholic or the strange truth.

In 1882 a country girl disappears from a small Hungarian village. The inhabitants suggest that she was murdered by the Jews. Everything is done to accuse them before the trial. A study in stubbornness, racism and intolerance and how to fight against it.

A decadent noblewoman, whose stranded husband has dilapidated their whole fortune on gambling, tries to keep her daughter in school while hiding their state of poverty from her, by leading a double life as an exotic dancer.

The film is an adaptation of Henrik Ibsen's play A Doll's House. The film uses Ibsen's alternate ending where the unhappy couple are reconciled at the end

Movie about an expedition in search of a mythical demon in the Himalaya mountains.

Berlin, the center of pleasures and kingdom of small virtues. From all over Germany, young night owls come to burn themselves cheerfully in its lights, to drown in its champagne and fill its boxes and restaurants until dawn.

Nora, the wife of the architect Heinz Ottendorf, feels neglected by her husband. He is getting more and more engrossed in his work, but Nora, apparently a stranger to hard work, suspects that the real reason for her husband's diverted attention must naturally be another woman. Robert, the cousin of Nora's friend Marianne, has long been in love with Nora and sees an opportunity to win her hand. Heinz, for all his distractions in his work and the phantom lover he doesn't have, isn't quite ready to let Nora go. While he may be married to his work, his work is a fickle mistress: he makes a career error and this leads to near financial ruin. He begs Nora to be patient with him. Marianne, who for her part is in love with Heinz, spins a web of deceit and intrigue, which leads to Robert taking a potshot at Heinz and then eventually causing Robert to kill himself.

When a criminal named King Fu who has terrorized a city substitutes himself for a stage actor who resembles him, the staff and spectators at that night's show think the actor is giving an unusually good performance.