Alison Fitzjohn
Acting
Biography
Alison Fitzjohn trained at Bretton Hall in Leeds studying BA Hons in Theatre Acting. Theatre Productions include: Oz for Tobacco Factory and Pins and Needles.
Known For

Seven strangers from different walks of life - people who would never normally interact - are forced to work together to renovate a derelict community centre. They resent the menial physical labour and they resent each other. But when one of their number gets dragged into a dangerous world of organised crime, they unite in ways none of them thought possible.
The Outlaws

DCI Jeanette Kilburn and eminent psychotherapist Dr. Sophia Craven join forces to hunt the killer of young men. The investigation takes Jeanette and Sophia into a dangerous world of historic abuse and murder.
The Crow Girl

A group of old friends reunited at a funeral make a drunken pact. Rather than let each other suffer a slow and painful decline they would engineer a dignified death. But what starts out as a fanciful idea soon morphs into shocking reality.
Truelove

Mary has just been released from prison. She wants to come home and forget all about it but Briana has other ideas. Over a tumultuous two days a family is forced to confront not just their past but themselves. Because even if you refuse to hear the truth, the truth doesn’t go away. Róisín McBrinn returns to Clean Break (Favour) to direct this powerful story of family and forgiveness by Deborah Bruce (The House They Grew Up In). A co-production from National Theatre and Clean Break.
National Theatre Live: Dixon and Daughters

Stuffed is a short musical about a taxidermist who dreams of stuffing a human and the man she meets online, so afraid of aging he volunteers to be her specimen. An unexpected romantic spark between them complicates their plans.
Stuffed
Henry VIII, Queen Victoria and Wolfgang Amadeus Mozart are our hosts for a special live concert as part of the BBC Proms season at London’s Royal Albert Hall, introducing us to the world of opera. Mozart is sure that the Horrible Histories audience will love opera, with all its grisly and gruesome stories. But Queen Victoria is not so sure, thinking opera is totally unsuitable for children. In fact, she thinks the audience need to leave at once! Can Mozart change her mind?