Writing
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MarĂa, a successful lawyer based in Madrid, is shocked to discover she is adopted. A search for her biological parents soon leads to a web of deceit and betrayal. She uncovers a human trafficking operation, which leads her down a dark path.
In 2041, humans live side-by-side with robots and androids. A well-known cybernetic engineer, Alex Garel, returns to his hometown to create a new model of robot child.
Eduard, a husband and father who loses his family in a tragic accident, travels to parallel universes to seek a better fate for his beloved wife.
Daniel agrees to take Julia, the daughter of an old childhood friend who has just died, into his home.
Eleven episodes portray different encounters in Barcelona during the course of a single night towards the end of the millennium.
A man is surprised by the arrival of a meteorite in his room.
During a brief rule towards the end of the 19th century, the Italian duke Amadeo of Savoy occupied the Spanish throne. However, confined to the safety of life within the palace walls, the lonely, frustrated king and his servants succumb to playful adventures focused more on pleasure than his duties.
A powerful international army assigns a regiment the task of guarding a mysterious man, held in a maximum security prison in the middle of the desert. Soldier Salome, daughter of Commander Antipas, becomes obsessed with him... Eros and Thanatos together reminding us that truth is based on beauty and love.
The Spanish author Enrique Jardiel Poncela (1901-1952) was one of the best comedy writers of all time, a novelist and newspaper columnist, misunderstood, even censored, both by the Second Republic government and Francoism, an outsider ahead of his time; also a filmmaker and screenwriter in Hollywood, architect of a revolutionary theatrical building and scenographer, cartoonist and illustrator. An implausible genius.
If one person's destiny were altered (in this case, not dying), how might that event change the lives of numerous other people, or in this case, prevent seven others from dying.
A family seen at two different periods, some 40 years having passed between the two. A dysfunctional family marked by what used to be called an ugly illness, cancer and death. The characters quarrel, hate each other, and refuse to accept in their predecessors what they will eventually, inevitably repeat in themselves. A family marked by relations of rejection, love and hate of the other, the upstairs neighbors, those strangers from a far-off land, Andalusia in the 1960s, Morocco at present, who will also form part of this repetitive game that is life. To what point is everything a metaphor or symbol of our society? Are we really strangers to ourselves?
