Juan José Mugni

"Life is a latency that as time and space becomes visible as a figure. But never eat at all, there are other possible lives. Making a life is difficult, filming the impossible itself . with this imago-auto-bio-graphy is an attempt to talk about this ambiguity, where what could be is the possibility of a memory, where what was and what was not, can be remembered in the same way, . always I lived with mixing the imagined thing is chosen in this chancy; go left on the road the other films that might have emerged" -Narcisa Hirsch

Crossing an old bridge in the Buenos Aires neighborhood of Barracas, the filmmakers come face to face. They walk towards each other, crossing paths until all that remains is the metal structure of the bridge.

"I am the man who walks down the street. At first there is no one. The protagonist smokes, goes to a bar, takes a bus, walks down the street, wanders around and little by little more people appear. And then more and more people, until he ends up on Florida Street, merging into the crowd."

It's a staging of The Maids, which, set in the 1930s, tells the story of two sisters working in the house of an abusive woman. Genet's film begins with a ritual: the lighting of candles. It's a black and white film with complex lighting design.

Audiovisual interpretation of the famous triptych by the Flemish painter Hieronymus Bosch (1450-1516), known worldwide as El Bosco.

A long interview with Uruguay's greatest writer, in Madrid a few months before his death. From his bed, Onetti talks about literature, creativity, and his origins.

A portrait of experimental filmmaker Marie Louise Alemann in two alternating characters