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Mauricio Magdaleno

Mauricio Magdaleno

Writing

Known For

Ley fuga
5.8

As he rises through the ranks of the police department, a young officer gets more deeply involved in manipulating gang activity for personal gain.

Ley fuga

1954
Maria Candelaria
7.3

A young journalist asks an old artist about the portrait of a naked Indian woman that he has in his study. The artist tells the story of Maria Candelaria, a young Indian woman who was rejected by her own people for being the daughter of a prostitute. She is protected by a young Indian man, Lorenzo Rafael, who has fallen in love with her.

Maria Candelaria

1944
By the False Door
6.8

Bernardo is in love with Adela and although she does not belong, he has always helped her family although they only care about money and not the virtues of man.

By the False Door

1950
The Abduction
4.9

In a small Mexican village the news shock neighbors, Ricardo Alfaro, a wealthy local rancher has disappeared without a trace. Taking advantage of the circumstance, Aurora Campos, a strong woman with overwhelming beauty, convinces the authorities to sell her the property in exchange for twelve thousand dollars. Soon after, when Ricardo suddenly reappears, a real battle is about to begin.

The Abduction

1954
One Day of Life
6.3

A story about two men caught in the Mexican revolution: close friends before, but now on the opposite sides. One of them is military officer, while the other one expects capital punishment. The prisoner's mother comes to visit his son, unaware that his former best friend is now his enemy.

One Day of Life

1950
Salon Mexico
6.6

Mercedes works as a cabaret performer to pay for her sister's studies. Problems begin when Mercedes and Paco, her exploiter, win a dance contest, but he refuses to share the prize with her.

Salon Mexico

1949
Pueblerina
7.2

Aurelio Rodríguez is released from jail, and tries to start a new life by marrying Paloma and working his land. But the local landowners, the brothers González, interfere with his plans.

Pueblerina

1949
No image
7.0

Emilio Fernandez directs Dolores Del Rio and Pedro Armendariz in a classic tale of family and obsession. Raimunda's daughter Acacia hates her stepfather Esteban, and in order to escape her suffocating home life she's accepted a marriage proposal from a man she doesn't even love. But Esteban has become obsessed with Acacia, and in order to ensure that she doesn't leave he's plotting to murder the girl's unsuspecting fiancée. As Esteban's true nature emerges, mother and daughter must band together to support one another and make sure that their family bond remains strong even in the darkest of times.

The Unloved Woman

1949
Wild Flower
6.6

The film features Fernandez himself as a character named Rogellio Torres. The lion's share of the footage, however, is devoted to the romance between Esperanza, granddaughter of a common laborer, and Jose Luis Castro, the firebrand son of a landowner. Joining a revolutionary movements, Castro is disowned by his father, but Esperanza remains loyally by his side. Later on, Castro's father is killed by outlaws; in seeking vengeance, he sacrifices his own life, while Esperanza carries on his revolutionary work with their young son in tow.

Wild Flower

1943
Cárcel de mujeres
6.1

Evangelina murders her lover Alberto. In prison she meets Dora, Alberto's girlfriend, who was deprived of her freedom for his illicit business. An interesting story is about to be woven.

Cárcel de mujeres

1951
Victims of Sin
6.9

A nightclub performer decides to raise the baby boy she found abandoned in a trash can, putting her job and social life in jeopardy.

Victims of Sin

1951
Coqueta
5.5

Blind nightclub pianist takes in a young singer/entertainer when she hits bottom... but once she gets stable and starts thinking about maybe a boyfriend, his unspoken intentions start to surface.

Coqueta

1949
Hidden River
6.2

Called by the Mexican President himself, a rural teacher goes to work in a village that is dominated by a malevolent chieftain.

Hidden River

1948
El compadre Mendoza
6.7

In the midst of the Mexican Revolution, the landowner Mendoza manages to get along with both the government and the revolutionary group. For the former, he is a supporter of Huerta. For the latter, he is a Zapata supporter. Depending on the political preference of whoever visits him at his hacienda, he has portraits of Huerta or Zapata put up, and organizes a party in honor of his visitors. However, time goes by and the situation becomes untenable. For whom will he take sides?

El compadre Mendoza

1934
Gran Casino
5.4

After the mysterious disappearance of an oil well owner, one of his workers, Gerardo assumes the business management. Soon, the owner's sister arrives from Argentina, and, believing that Gerardo killed her brother to keep the wells for himself, she starts working as a singer under a false name in the same casino her brother disappeared, in order to find out what exactly happened.

Gran Casino

1947
Reportaje
7.3

Reporters compete for cash prize awarded for biggest scoop on New Year's Eve.

Reportaje

1953
Miguel Strogoff
5.8

A Russian courier has to deliver a message from the Czar to the Grand Duke across enemy lines. He encounters many colorful characters along the way.

Miguel Strogoff

1944
Tragic Weddings
5.7

Jalisco, 19th century. Diego, a wealthy landowner, secretly marries Amparo, defying her father Juan Manuel, who fiercely opposes the union. Juan Manuel still holds a grudge against Diego, having once been his employer when Diego was just a laborer. Their secret marriage stirs jealousy and resentment, particularly in Octavio, Diego’s servant, and his wife Laura, who harbors unspoken feelings for him. As Diego departs for a military mission in Guadalajara, Juan Manuel, unaware of the marriage, attempts to arrange a match between Amparo and the Spaniard José Luis.

Tragic Weddings

1946
Entre hermanos
5.7

During the Mexican Revolution, brothers RamĂłn and Geraldo fall in love with Pilar who is uncertain of which brother she loves. Pilar ends up marrying RamĂłn but gets pregnant when Geraldo rapes her.

Entre hermanos

1945
El Intruso
6.3

A man discovers that the second child he is expecting is the product of his wife's infidelity, who dies in childbirth. The boy, named Alberto, is treated as if he were a servant. His brother José Manuel, on the other hand, is treated well and all his whims are fulfilled and therefore he becomes lazy and irresponsible.

El Intruso

1944