Directing
Christian is a raising star in world football. He lives isolated, in a luxurious and lonely environment, besieged by fans, under pressure from the media and forced to honour commitments made by his father who acts as his manager. For the first time Christian feels the need to escape.
Shot in only one night following the experiences and methods of the Situacionists about redifining the urban scenario, Adrift tries to find new meanings in the city landscape, to catch furtives atmospheres, to treasure instants, to integrate the chance in a journey that, in retrospective, asumes a new, autonomous form. In that sense, it's an experiment that uses the streets to perform a human comedy in perpetual movement.
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