Jovan Milinov

In Žilnik’s hilarious and sneakily charming docu-fiction, post-socialist restitution returns his childhood home to Serbian jazz musician Stevan. After six decades in Germany, he returns to his homeland where a series of reunions sheds light on his life.

In the summer of 1991 the war broke out in Croatia. In a holiday house in Fruška Gora hills in Serbia, near the border with Croatia, a group of young people are having a birthday party. They try to have some fun and act like nothing is going on. The party is shattered by the war. They can hear the artillery, but something is also happening between them. Inevitably, some of the boys end up on the frontline and everyone of them is effected by the war that is starting to rage. "The Party" is about individual destinies of the characters trapped in isolated house in hills and surrounded by growing paranoia of the officially not yet declared war.

It is 1680 – the time of dreamt snow after the Turkish invasion. In the deserted plains of Bácska a living soul cannot be found in a few-days’ walk. Three former prisoners returning from their Turkish captivity – Long-Legged, Lame and One-Eyed – appear among the crumbling walls of a huge abandoned church without a roof. They are looking for their long lost home. How to revive a disappeared civilization? What is the survivors’ personal duty? Without a roof, a collapse is inevitable. The Old Man – a master of ancient knowledge – and his daughter come and with sharing sowing seeds they try to save the community of dispersion. No spiritual leader, no aims. Driven by rapacity, One-Eyed kills the Old Man, rapes his daughter and while looking for the remaining seeds he kills Long-Legged with a sudden anger. At the end of the film, the survivors need to face with dramatic encounters and special temptations. Their redemption under the leadership of Lame’s young son is the pledge for the future.

Predrag Popovic, Goran Markovic, Srdjan Karanovic, Rajko Grlic and Lordan Zafranovic talk about the Russian intervention in Czechoslovakia in 1968.

The journey is in him and in us. The journey is by bus, cab, train, bicycle, words, thoughts, and on foot. The journey is through people, through time and through places: the plains of Vojvodina and abandoned farms, Hungarian estates and Zvonko's towns - Sombor, Subotica, Novi Sad, Belgrade... We move slowly, but unexpectedly, through the songs of Zvonko Bogdan and the era that still only lives in them.

Road movie documentary through half a century of filmography by Želimir Žilnik. But also a journey through the history of Yugoslavia, a country that no longer exists. With the specific style of docudrama that he built over the years, Zilnik managed to stay engaged and brave, but above all free, by making low-budget films for decades. We follow the efforts of his team to finish the film "Freedom or Comics", which was seized by censorship 50 years ago, and which was recently accidentally found. The story of an uninterrupted struggle for disenfranchised social and minority groups who are constantly the main heroes of Žilnik's films.

"Oh dreary rock, do you remember the Pannonian Sea?" Castramentation - the art of building fortified constructions. Stone cannot burn, but it does remember. The Petrovaradin Fortress, which is more than three centuries old, was being built for almost a hundred years. During those years, it is said that the most valuable currency in the area were eggs. Instead of a dish, they ended up in the mortar... ...Planet Fortress. Quietly but persistently reminds us that there is no future without a past. Vice versa. The fortress means security. Security is peace. Peace is salvation. Salvation is love. Whisper the 'Officers' Beach', recites the lower town, whistle the underground passages, echo the wells, tell the walls, plays "the drunken clock", sings the Fortress.

A story about North city jazz and blues music festival in Kosovska Mitrovica. A few musicians had made a great music festival, the story begins before the Second World War when English mining limited made concessions on the Trepča mining company and brought music with them.

In the first years of the EXIT music festival in Novi Sad, Serbia, for many, it was a trip to a "wonderland", after a decade of isolation, destruction, violent mobilizations, xenophobia and propaganda. This documentary, filmed during the festival in 2002 - every morning, at dawn when the visitors are tired, but also full of impressions after an exciting night - recorded that special mood.