Acting
Follow the intertwining stories of four strangers who are bound together by a violent event.
A sequel to One Song a Day Takes Mischief Away (1970) set in 1964.
Rio, an introverted young man, tries to make a living for himself by commiting petty theft in restaurants and resorts around the Croatian coast. His life, however, drastically changes when Andrea, a young Serbian part-time worker, enters his life, with the two becoming partners in crime, planning a major heist of two wealthy women staying at the hotel Andrea works at.
Saša and Filip are going to Gorski Kotar during the lockdown. Saša finally has time to realize how she really feels.
Twenty-two-year-old Lana lives alone in an apartment in Zagreb. One day, an allegedly unknown man broke into her apartment. After a police insight, Lana remains living in an apartment with a broken front door and in anticipation of her father’s arrival.
Sitting in a restaurant representing the waiting room to the other world, a tired old man watches the patrons who represent him and his immediate family during the important moments of his life. Moments that have impacted him and the family, and have turned him into a man he was at the end of his life. The old man is forced to look these events in an objective way, observe them from the sidelines, as the judge and jury of a tragic life filled with regret, bitterness, and bad decisions. At a certain point, it becomes clear that the old man has actually died and is watching his own life.
For the first time in his life, Miro (40) spends the night with a prostitute someone sent to him in a hotel after a business.
Tina (28) lives in what appears to be an idyllic marriage in town on the Adriatic coast. She is a housewife who takes care of their six-year-old daughter, while her husband Frane (32) provides for the family. Their relationship begins to change when Tina expresses her desire to complete the college education she had to abandon due to pregnancy. Despite initially consenting and supporting her, Frane starts showing disapproval, initially through minor acts of sabotage. Over time, conflicts become more frequent, and arguments turn increasingly violent.
Frustrated by the everyday rut and financial debts, taxi driver Andrija tries to find a way out by selling his family’s house in the country where his brother, a war veteran called Traktor, lives. He invites Traktor to move in with him and his wife Vesna.
