Acting
Los hijos de nadie is a Mexican social drama telenovela produced by Miguel Sabido and Irene Sabido for Televisa and originally broadcast on Canal de las Estrellas from February 24 to June 20, 1997. Created by Miguel Sabido, with adaptation by Miguel Sabido, Verónica Suárez, Andrea Ordóñez, Rosa Ana Curiel, and Kary Fajer, the telenovela was supported by UNICEF to raise awareness about the situation of homeless children in Mexico. The story follows Doña Leonor, an elderly woman who loses her daughter and granddaughter in a tragic accident. Seeking to overcome her loneliness, she dedicates herself to helping a group of children living on the streets of Mexico City. Alongside Verónica, a young woman who brings hope to the children through her puppet shows, Leonor faces the challenges of poverty, abandonment, and the people who seek to exploit those most vulnerable.
Traveling cowboy gets involved in political issues in a town he passes through. Also a romance.
Romantic comedy about two school-teachers with show-biz aspirations.
Masked avenger on horseback. Again.
This film is considered one of Tin Tan's funniest comedies. This time, the charismatic comedian incarnates a mariachi musician that lives the most entertaining an extraordinary adventures while traveling from Mexico to the paradisaic island of Cuba. An example of the excellent cinematographic comedy that only Tin Tan can achieve.
Cowboy detective investigates two murders.
Bush-league actor allows two adorable grannies to believe he's their long-lost grandson. Then: complications!
3 real life stories taken from the Mexican police archive.
Mexican feature film
A certain young woman won't allow her virtuous reputation to be compromised... until her suitors agree to the price she sets on it. Twist ending.
Three boys and three girls. First all the boys are fighting over one of the girls, then all the boys are fighting over another of the girls and yadda yadda yadda.
Anthropologist goes to small town to do field work supporting her theories about the primitive/subhuman origins of machismo.
Three cowboy party-boys, posing as highway bandits, meet three women who want to reform them.
Father and two sons raise hell at the county fair.
Commercial artist and her fiancé go to Acapulco for a weekend, and she discovers that their engagement was a mistake.
Two itinerant cowhands hire on at a ranch owned by a woman, end up fighting two bad-hats who rustle la patrona's cattle and set fire to her stables.
Amelia is an old retired prostitute who lives at an asylum, where she decides to enter a T.V. contest.
Man tracks down the five people responsible for killing his father. Semi-sorta sequel to Juan Sin Miedo (1964).
Two guys fight over two girls, ranchera style.
On his family's farm, Gilberto keeps weapons to support the revolutionaries. When his father find out, he runs out from the hacienda to join them.
