Marina Alberti
Directing
Known For

On the arid island of Fuerteventura, Miguel and his daughter Mariana struggle to move forward after his wife’s death, a loss that has set them adrift. Traditional wrestling is all they know, their way of making a place in the world. But Miguel’s body is failing him, and Mariana’s anger is pushing her to break the rules. As the championship final approaches, father and daughter find themselves on uncertain ground, searching for a way back to each other before it’s too late.
Dance of the Living

An intimate documentary exploring friendship, resilience, and love among a group of young people in Madrid. Through a cinéma vérité approach, the film captures their struggles, aspirations, and moments of joy amid economic uncertainty. A central thread follows Sara, who falls in love with another woman, navigating the excitement and vulnerability of new love. Her journey of self-discovery unfolds organically, adding depth to the film’s broader themes of identity and connection. With its raw, unscripted storytelling, To Our Friends offers a poignant look at contemporary urban life and the enduring bonds that sustain us.
To Our Friends

In the prelude of the twentieth century, Pedro arrives in Tierra del Fuego, an hostile and violent territory, to immortalise the marriage of a powerful landowner. Fascinated by the beauty of the bride-to-be, he betrays the rules and is left to face the land, crawling with violence and marked by the genocide of the land indigenous.
White on White

Three soldiers moving through the Cuban jungle: combat exercises and camouflage techniques are practised, but the battle never arrives. The nature of their mission becomes an ever-greater mystery, echoing unanswered in the impassive natural surroundings.
Between Dog and Wolf

Three sisters on the Canary Islands, their everyday lives infused with a magical, meditative lyricism. Three life strategies without a breadwinner, narrated via the body, a mix of staging, observation and memory. Before the volcano, serenity arrives.
The Undergrowth

Marina is haunted by the idea of losing her memory. Her grandmother suffered memory loss and now her mother Aitana, daughter of the writer Maria Teresa Leon and the poet Rafael Alberti, seems to be as well. Locked in a room which her mother has not left for some time, she insists on reliving her memories. In the silence of the night, her family’s past returns, it is the history of a country and an entire century.