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Juan José Ravaioli
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This portrait of the late 1920s and the first half of the 1930s in Peru offers the perspective of historically silenced sectors. With testimonies from former union leaders, archival photographs, film material, workers’ songs and filming of key places, a transcendental era is reconstructed, where José Carlos Mariátegui and Haya de la Torre played a decisive role in the popular movement.
Una Honda Huella
1988

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Science fiction story often read as an allegory for the disappearance of children under the Uruguayan dictatorship.
El Niño y la Cometa
1977