Directing
After returning from her husband's requiem mass, Clarice gets into an argument with her daughter Andrea about the family's dark past.
No description available.
A letter to what has gone before. And to what is to come.
As a poetic documentary, the film is committed to focusing on the process of self-identification as black of the individual who is considered pardo in Brazil. To this end, we spoke with 5 lightskin individuals located in different sociocultural contexts about their particular processes of building a black identity, taking into account the entire whitening culture to which they were exposed.
There is a Brazil that does not get naked. Who doesn't know what art is and who takes a shower in clothes. Who doesn't read books and doesn't have sex. That burns museums and beggars.
